When PopMatters’ Steve Horowitz concluded his review of Kasey Chambers’ noted 2014 effort Bittersweet, he noted that it “begins by evoking the past and finishes by declaring she [Chambers] is not done yet.”
This very well could sum up Chambers’ entire career, as the Australian native has been releasing stunning material for nearly two decades, her sound deeply rooted in American country and bluegrass/Americana, arguably doing it better and more authentically than some of her States-bred peers. Yet Chambers isn’t one to sit still for long: she’s constantly growing and improving her songwriting skills, growing her list of regular collaborators, and even making significant inroads in the States.
Yet all her talents come to the fore in the form of what may very well be her most ambitious release effort: a double-disc set of new material called Dragonfly. In it, she tries everything she can think of, from the gospel-affected banjo jangle of “Golden Rails” to the quirky story-song stylings of “Talkin’ Baby Blues” to the woozy accordion lament of “Ain’t No Little Girl”. She covers a lot of thematic ground across these 20 songs, and may very well have created her best album to date—a bold statement given this is the same woman who made truly beloved hits like 2001’s Barricades & Brickwalls and 2010’s luminescent Little Bird.
To help celebrate the occasion, Chambers sat down to answer PopMatters’ 20 Questions, revealing an affinity for Friends, an adulation for Lucinda Williams, and the importance of “being real in a very fake world.”