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Wednesday, Oct 29, 2014
Before you go out to your favorite haunted house or visit your favorite witchy woman, be sure to have the proper monster music handy.

In pagan times, Halloween or “Samhain“, meaning “summer’s end“ in Gaelic, marked the time of year when people believed the boundaries between the physical and supernatural worlds were at their thinnest. They built bonfires and wore masks to communicate with spirits and prepare for the coming winter. These days, while Halloween often means getting a tarty costume from Spirit Halloween and a pumpkin-flavored latte at your favorite coffee shop, it remains the most bewitching time of year. The air sharpens and cools and the leaves blush and drop to the ground. As the daylight gets a little shorter, and the shadows get a little longer, Halloween lurks just around the corner.


Before you go out to your favorite haunted house or visit your favorite witchy woman this year, be sure to have the proper monster music handy. The supernatural has inspired some exceptional and creative tunes, so it’s not difficult to find the perfect song to spice up a dark autumn evening. The following list includes 12 solid staples, comprised of classics as well as a few lesser-known tracks, to add to your playlist this Halloween. Well-known or not, they all capture the essence of Halloween, from the nostalgia of childhood trick-or-treating to the superstitions we still harbor as adults. While this list is only 12 songs long, there are numerous spooky numbers that could have been added to it, so feel free to add your Halloween favorites in the comments section below.


Tagged as: halloween, list this
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Tuesday, Oct 28, 2014
Jack Bruce didn’t need music videos, laser shows, dry ice, PR Kits, and crowd-pleasing pyrotechnics. He was too busy being one of the very best musicians in the business.

The recently-departed Jack Bruce could have had no complaints. He made history, he made records that made people happy, and he made some money along the way. Still, as one-third of the first ever “super group”, Cream, he was never a true superstar—not that he had designs on being one. Ultimately, he was bass player’s bass player, a singer’s singer, a songwriter’s songwriter and, above all, a music aficionado’s musician. Jack Bruce was, to invoke an inevitable cliché, the consummate professional: curious, seldom satisfied, always striving, ever-developing. Decades after he secured his legend, he kept on going, because that’s what the real legends do.


Tagged as: cream, jack bruce
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Monday, Oct 27, 2014
By the end of “Homecoming”, American Idiot has pretty much ended. The plight of the album's narrator is over, having reached closure by returning to where he started with a fresh, optimistic outlook on life.

The narrative of American Idiot began in a grandiose fashion, with the multilayered “Jesus of Suburbia” working as a suite of mini-songs that introduced listeners to the themes, sentiments, and, of course, central character of this stunning punk rock opera. It makes perfect sense, then, for Green Day to conclude this story (well, more or less) with another lengthy epic, and that’s precisely what the record’s twelfth track, “Homecoming”, is. Having faced and conquered an existential crisis whilst traversing the City of the Damned, as well as suffered the rejection of both his disciples and his first love (Whatshername), Jesus is ready to return home, face reality, and start anew.


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Friday, Oct 24, 2014
And if you leave here, you leave me broken, shattered, I lie. I'm just a crosshair. I'm just a shot, then we can listen to the 192nd most acclaimed album of all time. Franz Ferdinand’s 2004 debut is this week’s Counterbalance.

Mendelsohn: If there was ever a band that seemingly had it all together and then never really capitalized on their new found fame, I think it might be Franz Ferdinand. You know, that band that released “Take Me Out”, last decade. Everybody loved it. They got a bunch of awards. And then the follow-ups sort of fizzled. Either as a consequence of the times or diminishing returns, I’m not sure which, however I would wager it would be both as the general listening public moved away from the art rock and jangly guitars and the members of Franz Ferdinand struggled to recapture lightning in a bottle.


Tagged as: franz ferdinand
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Monday, Oct 20, 2014
The 11th song on American Idiot, "Wake Me Up When September Ends" is arguably the most multifaceted and emotionally powerful composition on the album.

As I’ve already discussed thus far in this series, Green Day’s 2004 masterpiece American Idiot is incredibly multifaceted. Part punk rock concept album (in the vein of the Who’s Quadrophenia) and part social commentary on post-9/11 America, the album offers both an endearing yet tragic coming-of-age tale and a formal expression of the fear and sadness felt within the country at the turn of the century. While the full-length has already featured plenty of wonderful examples of these sentiments, its eleventh track, “Wake Me Up When September Ends”, is easily the most poignant, striking, and universal one up until now. A heartbreaking eulogy to the losses of its central character, vocalist, and even the nation in which it takes place, the song is devastatingly somber, hypnotic, and beautiful. In fact, in terms of pure songwriting, it make be the best composition the trio has ever written.


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