Latest Blog Posts

by Tommy Marx

24 Jul 2009


In the beginning, there was Britney Spears, dressed as a Catholic school girl with a bare midriff, short skirt and pouty lips, selling sex and CDs to the tune of “Baby One More Time”. It was easy to predict Britney Spears would become a major force in pop from the moment the school bell rang in her first video and the iconic notes of “One More Time” began to play.

In the music industry, imitation is the sincerest form of profit, so a legion of young girls began flooding radio stations and MTV countdowns.

Although most would argue that Christina Aguilera is far more talented vocally than Britney Spears, it hasn’t helped her much. Even with twice as many number one hits and four Grammy Awards to Britney’s one, Christina seems forever destined to be overshadowed by her former Mickey Mouse Club co-star.

Jessica Simpson had a beautiful voice, but her affected vocal style and lazy annunciation hurt her chances of ever being a major star, so she found success by making ignorance look charming on reality television.

And then there was Mandy.

by G E Light

23 Jul 2009


For my money the most interesting new band going is the West Vancouver duo, Japandroids, who recently released their debut, Post-Nothing. I know it’s trendy to talk about the new wave of art rock and/or grungy lo-fi blues two pieces from New York and the Upper Midwest. But as we shall see Japandroids spring from their own noble and older left coast tradition. First to the band and the disc. Their instrumentation is spare guitar and drums. Formed at the University of Victoria in 2006 the band features Ben [E.] King on the former and David {No Not Darth Vader] Prowse on the latter. Originally thought about being a trio but settled on duo format and shared vocal duties. To early self-released EPs appeared -- All Lies (2007) and Lullaby Death Jams (2008) -- before they signed to the Canadian indie Unfamiliar Records and released Post-Nothing.

They probably will make you forget fellow Canucks Death from Above 1979 with their… fill in the blank. The single getting all the buzz is "Young Hearts Spark Fire" and it is a doozy; here's the video:

by Diepiriye Kuku

22 Jul 2009


Michael Jackson left us—all of us—the harmonies, melodies and complex beats to which he popped, dropped and locked it like a Dogon dancer in the plains and cliffs of Mali. One imagines that the little brown boy that visited Senegal with his folks in the early seventies left with more than artificial antiques. No sooner than he could debark from the plane, Michael danced with the people who assembled to sing and dance to welcome the Jackson 5 on their first trip to The Continent.

Yet, we fear this power and far too often demonize power out of fear. We fear the creativity and genius necessary to penetrate through a world where, for example, it really, really matters if you’re black or white.

All the children of the world should be
Lovin’ each other wholeheartedly!
Yes it’s alright,
Take my message to your brother and tell him twice.
Take the news to the marchin’ men
Who are killin’ their brothers, when death won’t do.
Yes, we’re all the same:
Yes the blood inside my veins is inside of you.

by Omar Kholeif

22 Jul 2009


It is undeniable that Jeff Buckley’s posthumous legacy has turned the little-known avant-garde artist into something of a pop legend. Indeed, his record label’s persistent desire to churn out Buckley infused live song collections is almost unparalleled. With no less than nine releases since his death, the hunger to consume all things produced by the late musician has become a point of obsession for some of his followers. Now, with the release of Grace Around the World, another series of performances and a DVD can be added to the already overflowing collection of so-called “rarities”.

In this, the listener is privy to some of the first live recreations of Grace, which (despite my reservations), turned out to be as enthralling and devastating as the original work itself. It is obvious from listening to this material that Buckley was an artist consumed entirely with his own image and performance. On this, the original tracks extend into long, free-flowing productions, which suggest that Buckley was more preoccupied with experimenting than promoting a mainstream musical persona.

by G E Light

21 Jul 2009


Roky's Birthday Cake (7/15/09) Photo by G. E. Light

Roky’s Birthday Cake (7/15/09) Photo by G. E. Light

F. Scott Fitzgerald was wrong. Nowhere was this more self-evident than the night of Wednesday July 15th at Antone’s in Austin Texas, around 10:30 pm when headliner and birthday boy Roky Erickson strode to the stage and burned through a pounding 90-minute set of rock and psychedelia, necessarily concluding with his first big hit: The 13th Floor Elevator’s “You’re Gonna Miss Me”:

Roky launches into

Roky launches into “You’re Gonna Miss Me” Photo by G.E. Light

//Mixed media
//Blogs

Hozier + Death Cab for Cutie + Rock Radio 104.5's Birthday Show (Photo Gallery)

// Notes from the Road

"Radio 104.5's birthday show featured great bands and might have been the unofficial start of summer festival season in the Northeast.

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