Their last song is a bit of a party-ending lark (a cover of Petula Clark's "Downtown"), but cooling down is just the move needed to close out one of the greatest pop albums in history.
For an album as giddy, raw, punkish, fun, and overall exciting as The B-52’s is, it is actually somewhat fitting that the final song on it isn’t only a cover, but also a stripped down, laid-back, celebratory send-off to one of the finest discs in the history of pop music.
Clocking in at just under 40 minutes, part of what made The B-52’s so special was the fact that while the band certainly borrowed tropes from B-movies, vintage shops, and forgotten New Wave 45s to create a universe that was all its own, it wound up creating an album that was musically well-considered and very assertive (sometimes even downright aggressive) with lyrics that were offbeat, wacky, and hinting at real human emotions when you weren’t distracted by their bizarre turns towards the sci-fi. Outside of “There’s a Moon in the Sky (Called the Moon)”, where the song’s title proves better than the song itself, The B-52’s is truly one of the greatest pop albums ever made. The B-52’s were never able to fully recreate the magic captured here (and boy howdy did they try sometimes), but after introducing us to their own unique and strange world with such unbelievable conviction, closing with a Petula Clark cover just seems absolutely fitting.