A dozen jams from great Crescent City keyboardists, past and present, and something extra.
New Orleans music is renowned for its piano players. Jelly Roll Morton, Isidore “Tuts” Washington, Fats Domino, Professor Longhair, James Booker, Allen Toussaint, Mac “Dr. John” Rebennack, Henry Butler—and those are just some of the best-known keyboard masters. All the great players have distinctive, individual styles, but there are traits they share, and that characterize the New Orleans sound. Deep roots in in the blues, gospel, and jazz, of course. But since New Orleans is a multicultural port city that has had a long association with Latin America and the Caribbean Sea, its pianists were exposed to, and have assimilated, idioms other than African-American. They’ll play syncopated bass lines derived from boogie-woogie, the blues, and stride. But they also incorporate rhythmic and melodic influences from Cuban rumba and habanera – the “Spanish tinge”, as Jelly Roll Morton famously, but inaccurately, called it.
As they pump out bass patterns with the left hand, the right hand unfurls melodic flourishes and cascading rolls. That mixture produces a sound that is immediately recognizable as originating in the Crescent City—funky and driving, yet easy rolling and relaxed. Think of the second-line dancers following the band at a New Orleans parade or funeral procession: Everything they do is funky, but they do it with unhurried grace and style.
The following list comprises ten standout performances by New Orleans pianists, past and present, plus a lagniappe, as they say in NOLA – a little something extra.