“I was really into [nu-metal/post-hardcore producer] Ross Robinson and how he would be recording and throw a chair at somebody to get a more aggressive performance,” says Jasamine White-Gluz when asked about her influences for the new No Joy album, More Faithful. At the Drive In, whom White-Gluz cites, is a surprising touchstone for a band most often compared to shoegazers like My Bloody Valentine and Slowdive and whose third-full length clears the fuzz for a strikingly pop oriented sound. Yet White-Gluz says it was all about moving outside her comfort zone.
No Joy finished its latest album in an isolated farmhouse in Costa Rica, stuck for days on end without wifi or television. The farmhouse belonged to producer Jorge Elbrecht’s family, and while Elbrecht was no chair thrower, he did push White-Gluz and her fellow band members into surprising places.
White-Gluz, who asked her producer to make her uncomfortable recalls, “I would have to sing my vocals with no reverb and do them over and over again and in front of people. On the last record, I was singing in a dark room and alone and you couldn’t really see me. It made me uncomfortable.” By the end, she says, “I kind of regretted wanting him to push me, but, I asked for this.”