Latest Blog Posts

by Ana Yorke

24 Oct 2016

Anniversaries are tricky, and music-related anniversaries even more so. On those special days that mark a certain period since a particular work had been released, should you decide to write about the work or its performer, you are bound to critically evaluate a pre-defined “sentiment” that the work has evoked in the collective consciousness, as well as critically assess the “changes” the work has caused in its respective aural category.

The Norwegian duo Röyksopp, and especially their remarkable debut album, Melody A.M., elude a solid definition and they cunningly thwart the mold for the kind of music they make. Each song off their first release is as diverse as a child’s imagination, unmarred by the “sentiments” and “expectations” of the public. It’s because of this incredible diversification of tunes on Melody A.M. that they, one could say inadvertently, brought a wide scope of electronic music into the mainstream in late 2001.

by Evan Sawdey

27 Sep 2016

Photo: Laura Crosta

It’s been a long four years for Rachel Yamagata.

For fans of the once theater-bound singer songwriter, the PledgeMusic campaign that helped create her 2011 effort Chesapeake was godsend, having survived two rounds of major label action. “PledgeMusic saved me,” she told PopMatters back in 2011. “It was something that allowed me to make instinctual decisions about how the funding would be used, and I didn’t have to get clearances from anyone. I’m sitting here now writing hand-written lyrics for people who supported the album. I love that fans can support something in advance they would’ve supported anyway. And I get to share behind-the-scenes stuff with them! It’s a great way to get more authentic music.”

by Evan Sawdey

14 Sep 2016

Lucia Turnio, Pete Bernhard, Cooper McBean (Photo: Giles Clement)

Anyone who saw The Devil Makes Three live knew what all the fuss was about: here is a group that infused Americana traditions with an unabashedly modern energy that caused any ears within a mile radius to buzz with excitement. Anyone who heard the early Devil Makes Three records heard something more: a solid group that showed promise but didn’t necessarily light the world on fire. For so long, the trio of guitarist Pete Bernhard, bassist Lucia Turino, and banjo-player extraordinaire Cooper McBean hadn’t figured out how to translate their live shows into the studio, at least not until 2011’s Stomp and Smash and their 2013 followup I’m a Stranger Here.

by Ana Yorke

8 Aug 2016

Photo: Sziget Festival

The music festival landscape, an event production universe in its own right, has changed drastically over the course of the past decade and a half, or so. What had begun some half a century ago as a naïve, albeit admirable attempt at youth liberté and rebelliousness, turned into a global-scale business undertaking some time in the ‘90s, only to, perhaps inevitably, become a gargantuan money-making machinery in the ‘00s, abandoning any semblance of ideology or topicality.

by Ana Yorke

4 Aug 2016

Photo: Alexander Koerner

When renowned festivals make the ambitious business decision to expand their activities, namely by creating satellite festivals, there are only two ways in which this tapping into new territory plays out -– either the satellite festival is small, shoddy, cheap, and generally serves only to raise awareness about the queen bee event, or it becomes a rogue sensation in its own right, breathing a new life into the entire franchise and providing ace entertainment for audiences thirsty for new events.

//Mixed media

How Röyksopp's 'Melody A.M.' Brought Electronica Into the Mainstream

// Sound Affects

"With their debut, the Norwegian duo essentially provided the everyman's guide to electronic music.

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