Latest Blog Posts

by Andrew Doscas

7 Aug 2015

(Press photo)

Why couldn’t Rivera get the final three outs in the 2001 World Series? How good could Len Bias really have been? What if the Trailblazers drafted Kevin Durant instead of Greg Oden?  When it comes to sports, fans can’t resist the urge to play the what-if game; it’s a temptation that can’t be quelled. There’s simply no answer any of these questions, but it still doesn’t stop fans from pondering these lugubrious thoughts. Simply understanding why something didn’t happen isn’t enough; there’s a pathological need to discern exactly why something that should’ve happened didn’t happen.asso

by Sloane Spencer

6 Aug 2015

Caleb Caudle left North Carolina for New Orleans,but the layer that was painted on his heart sent him back home after a few years. After some life changes and hitting the bottom, Caudle is gearing up for his new record.

This conversation about his last release, Paint Another Layer on My Heart, as life was falling apart around him, shows Caudle’s optimism and growth towards a new, more mature songwriting level.

by Paul Duffus

5 Aug 2015

Photo courtesy of Jim Newberry.

If “Slave Wages” was not an international hit, not number one across the globe, and not the overground smash and instigator of novelty dance crazes it should have been, then “Treat the New Guy Right” was also not the follow-up single that knocked it from the top of the charts and began its own unbroken 20-week run of domination. All of which is not to mourn Lifestyle‘s lack of commercial success, for fretting of that kind frankly is for the birds and bands who make music with cash as their primary motivation, but rather to point up that Lifestyle is perhaps the Silkworm album where that lack of commercial success is so acutely inexplicable, with “Slave Wages” and “Treat the New Guy Right” two of the songs most central to the enigma. The two songs are very different, but one thing they do share is that over-powering ear-burrowing quality which typifies the best pop music. And in that regard, if there is one particular chorus which a first time listener of Lifestyle is likely to find herself singing or rather shouting as the needle hits the run-off groove, it is more than likely to be that of “Treat the New Guy Right”.

by Scott Interrante

4 Aug 2015

Pop Unmuted is a podcast dedicated to in-depth discussion of pop music from varying critical and academic perspectives. On Episode 14, Scott Interrante and Kurt Trowbridge are joined by PopMatters’ Annie Galvin, a PhD candidate in English at the University of Virginia and Alice Bolin, a poet and essayist to talk about various aspects of pop lyrics. The panel then discusses the latest album from country singer-songwriter Kacey Musgraves, Pageant Material. As always, we end with our Unmuted Pop Songs recommendation segment.

by Adrien Begrand

31 Jul 2015

The original idea for the cover of Black Sabbath’s sixth album was a great one. The four members of the band were going to be dressed all in black suits, standing in front of full-length mirrors in a big, creepy corridor of an old castle with stained glass windows. According to drummer Bill Ward’s assistant Graham Wright, the image would be “reversed like a Magritte, so it was their image being sabotaged.” Something classy, foreboding, iconic. The cover photo that resulted was something completely, bizarrely, hilariously different.

When it comes to stories of drug-addled excess and lunacy, there is no shortage when it comes to Black Sabbath, from Geezer Butler being held back from leaping out a hotel window after someone spiked his drink with acid, to Tony Iommi standing in a recording studio naked banging his cross necklace on a guitar and putting it on Vol. 4 as the instrumental “F/X”. However, the Sabotage album cover story is a personal favorite.

//Mixed media

Con Brio: The Best New Live Band in America?

// Notes from the Road

"There’s a preciousness to McCarter and the rest of the mostly young band. You want to freeze the moment, to make sure they are taking it all in too. Because it’s going to change.

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