It’s a rare thing to make a living from music these days.
As traditional revenue streams dry up the majority of musicians are under no illusion that there is no money in music anymore. Just to eke out a living is hard enough with bands ever more reliant on crowdfunding and frugal self-management. Romanticized notions of Lear jets, bountiful supplies of drugs, and extravagant spending seem like distant ideas from a bygone era. However, by the law of averages, some artists do make it. Some bands do manage to build a career on a scale that is totally out of reach of the majority of musicians. No.1 albums, huge festival appearances, and a fervent and dedicated fanbase. That is exactly the position that Scottish rockers Biffy Clyro find themselves in.
Having conquered the charts in the UK and Europe with their latest album Elipsis, and with a huge arena tour, including an all-conquering Reading festival appearance, things couldn’t be rosier for the band. Over the course of seven albums, the band has steadily built the type of following that many bands dream of with a fervent fan base stretching from Chile to Slovakia. However, What happens when a band achieves everything they ever hoped for? How does a group keep those fires burning and retain that passion? In Biffy Clyro’s case, the answer is, rather surprisingly, to become a small band again. The kind of band with nothing to lose who has to convince people all over again. Just them, the music and the stage. What better place to take that giant stride backward than America.