Latest Blog Posts

by Max Harris

16 Jun 2016


Still from "Everday Robots" video

Two recent records by seasoned British artists traverse the interconnected themes of technology, loneliness, and love. 

Several new political tracts have addressed how technology is changing work and the workplace. Paul Mason says in Postcapitalism: A Guide to Our Future that automation, amongst other forces, will usher in a new economic era that goes beyond existing capitalism. Nick Srnicek and Alex Williams argue in Inventing the Future: Postcapitalism and a World Without Work that governments should introduce a Universal Basic Income to support individuals whose jobs are being replaced by emerging technology.

by Stephan Wyatt

18 May 2016


It took a sinfully long time for Austin City Limits to induct Guy Clark into their esteemed hall of fame, but some artists don’t collect their due until it is too late.

by Dustin Ragucos

28 Apr 2016


When New York’s Cardiknox talk about world domination, there is no maniacal laughter involved. There’s an intense passion that wants to push a dream forward. While the indie pop scene can be like an art show where people pick favorites, Thomas Dutton and Lonnie Angle have more than enough fight in them. When they dream of being larger than life kings and queens, what they really are saying is that they are truly serious about wanting to play Madison Square Garden.

When Tristan Eaton designed the artwork for Portrait, the duo’s debut album, there began to be a sense that something was concrete. Though the band had a couple songs and music videos under their belt, the process of a debut was something that made things real. Bigger prospects would then be hoped for. PopMatters had the chance to speak to the duo on their inspirations, song process, and, ultimately, how they condensed something giant into a beautifully small package.

by Jonathan Garrett

27 Apr 2016


First, a confession: I’ve never really understood the collective mourning when most artists die. Not to sound callous, but what exactly am I supposed to be mourning? I don’t personally know the artist in question. In the vast majority of the cases, said artist stopped making music that mattered to me years before his or her death. The actual act of passing does absolutely nothing to change my relationship to the artist. Bowie’s Station to Station sounds every bit as good as it did two years ago or 20 years ago.

by Sloane Spencer

12 Apr 2016


Town Mountain‘s new album, Southern Crescent, released on April 1st via Todd Snider’s new record label, Lo Hi. We previously featured this IBMA Award winning band just prior to the release of Leave the Bottle. When we talked for this podcast at Revelator Coffee in Nashville during AmericanaFest, the band had not publicly announced the album and were shopping it around. Southern Crescent reflects the band’s loose, dance-able music, more reflective of their festival and club sets that a staid performing arts center straight-bluegrass set. I’m not sure if the Southern Crescent still runs from Atlanta to Boston like my relatives talked about taking to go “visit culture” in the Northeast, but I’m fairly sure it still runs down to New Orleans, where a more exhilarating culture has endured—an apt analogy for this album.

//Mixed media
//Blogs

Best of the Moving Pixels Podcast: Storytelling in War Games

// Moving Pixels

"Conflict is necessary for storytelling, and video games have often used one of the most overt representations of conflict possible to tell their tales, the battlefield.

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