We’re kind of done with calling things “chillwave” at this point, right?
After all, the first wave of the bedroom-borne genre of synth-heavy midtempo dance-pop has already crested, even if some of its most notable acts, like Washed Out and especially Neon Indian, are still releasing large-scale albums to this day. Sure, you could argue that Toledo’s John Jagos, who records under the name Brothertiger, is of the same ilk, but even that wouldn’t be totally fair in the long run, as his soundscaping has been a kind that focuses less on tone and more on songcraft outright, nailing the hooks time and time again, which is part of the reason why he already has a sizable audience even after releasing his debut set, the excellent Golden Years, a mere three years ago.
Since then, he dropped sophomore disc Future Splendors in late 2014, and will follow that one up almost to the day with a third album slated for the end of 2015. Yet between recording and touring, Jagos keeps a level head to himself, focusing on making the best damn music possible, honing in on a sound that would work on both dancefloors and private pajama parties all the same. In answering PopMatters’ 20 Questions, Jagos reveals a lot about his influences, ranging from his love of Brian Eno to his obsession with Tears for Fears’ Songs from the Big Chair, to say nothing of the fact that he likes to wear “a baseball hat when I travel; I’m not sure why, but it just feels right.”