Latest Blog Posts

by Evan Sawdey

25 Mar 2015


Photo: cover of Pushing Buttons

By the end of this introduction, you will own two Richard Jankovich albums.

Jankovich has been one of the most fascinating under-the-radar artists to emerge in the last 15 years. Back in 2003, he worked with a variety of collaborators under the name the Burnside Project. Their most notable album, 2003’s The Networks, the Circuits, the Streams, the Harmonies, was a small bit of electro-pop wonder, mixing pop culture-heavy lyrics with dynamic digital arrangements with an astute sense of melody. Who loved the Burnside Project? The UK charts did. Queer as Folk did, using single “Que the Pulse to Begin” as its theme song in later years. Hell, even Cameron Crowe did, nominating it for that year’s Shortlist Music Prize. There was a profound warmth to Jankovich’s music, which helped separate it from a lot of the other electronic acts at the time.

by Sloane Spencer

24 Mar 2015


Max Porter performs as M. Lockwood Porter, in homage to his grandfather and to make it easier to find him on the Internet. Partly based on a childhood dream to leave Oklahoma and live in California, and partly pulled by his network of friends and musical colleagues, Porter claims both areas as home. His recent album, 27, honors Chris Bell of Big Star, and will be released in the UK and Europe late Spring 2015.

by Evan Sawdey

23 Mar 2015


Back in 2009, El-P’s famed underground rap label Definitive Jux released their fourth Definitive Jux Presents compilation, featuring another collection of new and stray tracks from their acclaimed roster. Tucked away on that disc was “D-Up”, a collaborative song from Aesop Rock and Rob Sonic, two rappers with highly-regraded solo careers of their own, joining together to carve out a new artistic vision for themselves ...

... and boy, did they.

by Jason Mendelsohn and Eric Klinger

20 Mar 2015


Mendelsohn: There are two things I find odd about the Great List. One, the lack of hip-hop. I’m not going to get into it—the rockist nature of the Canon is what it is and will change slowly over time. I get that. Two, I’m a dumb Yankee and finding the odd record that only made it in the UK sitting near the top of the Great List always catches me off guard. It was weird and exhilarating to find Massive Attack and Portishead in the Top 100. On the flip side, there are also two Oasis records in the Top 100. Sometimes the UK giveth. Sometimes the UK shouldn’t have.

What’s the point? How about a hip hop record from the UK, sitting at no. 189—The StreetsOriginal Pirate Material This is weird and exhilarating, Klinger. A hip-hop record, from the UK that got almost no play in America, camped out in the Top 200. I’m ecstatic. Back in my younger days I was a bit of an obscurest wanker and snapped this record up when it hit stateside in the fall of 2002. I was impressed by the East Coast hip-hop filtered through the driving garage beats. Mike Skinner, the man behind the moniker, had a way with words, painting vignettes of violence and humor from across the pond, offering a quick link to a world nearly identical to mine. I still enjoy the record. It doesn’t have nearly the same pull it did a decade ago, but then neither do I. What do you think? Are you going to be a stand up geezer or are we going to get paralytic and fight?

by Adrien Begrand

19 Mar 2015


This past weekend I attended a show featuring In Flames and All That Remains, two bands that have achieved substantial popularity in similar but also very different ways. For an extreme metal band to broaden its sound enough to attract a wider audience and at the same time retain credibility in the minds of the established fanbase is a tricky, precipitous line to walk. More often than not, cries of “sellout” will be heard; after all, from day one, most metal fans have loved to complain about their genre’s lack of recognition and validation yet at the same time get up in arms the second a band crosses over. If a band is ambitious and wants to make a decent living in this racket, why not try to attract more listeners, open itself up to broader exposure? Besides, for a lot of bands, merely copying your debut album over and over again would be the most boring thing ever. You can’t blame a band for changing, but as long as they do so with integrity, and both In Flames and All That Remains have succeeded and stumbled along the way to varying degrees.

//Mixed media
//Blogs

Hozier + Death Cab for Cutie + Rock Radio 104.5's Birthday Show (Photo Gallery)

// Notes from the Road

"Radio 104.5's birthday show featured great bands and might have been the unofficial start of summer festival season in the Northeast.

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