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Thursday, Jun 26, 2014
For the first time since 1998, Australia's most recognizable music festival will not be on the schedule. In what appears to be an ever-expanding live music calendar, competition for headliners, audiences, and cash is only becoming fiercer and fiercer.

How unforunate it is that right as one storied music festival gets underway that another finds itself abruptly closing up shop. Just as England’s Glastonbury festival is busy attracting huge crowds to its part of the globe for a bill topped by Metallica, Arcade Fire, and Kasabian, way down under the people in charge of Australia’s Big Day Out have announced that they are canceling the event for next year.


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Wednesday, Jun 25, 2014
We've selected the top ten covers Tori Amos should consider performing on the US Leg of her Unrepentant Geraldines tour.

There are few musicians who possess the kind of flexibility and dexterity to change their setlists from night to night as much as Tori Amos does. Amos’ 2014 Unrepentant Geraldines tour is reviving an extremely clever gimmick she first debuted in 2005 during her Original Sinsuality tour: “The Lizard Lounge”. This cheeky moniker references Amos’ time spent playing covers requested in bars, often for tips, in Washington DC and Los Angeles before she broke through to a mainstream audience, great acclaim and much success for playing her own original music.


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Tuesday, Jun 24, 2014
The rock icon gives the public its first listen of his new "trance meets Zep" album.

Yesterday saw the premiere of “Rainbow”, the first offering from Robert Plant‘s new album lullaby and… The Ceaseless Roar, due out this September on Nonesuch. First debuted on NPR, it’s now also available on the singer’s YouTube page, and as a digital freebie with preorders of the LP. Backed by an hefty roster of musicians in the guise of the Sensational Space Shifters, Plant has stated to the press that the new album’s sound can be summed up handily as “trance meets Zep”. Such a description certainly applies to “Rainbow”, where a sparse and vaguely exotic drum pattern serves as the bedrock for wispy, droning textures redolent of the gentler side of mid-period Led Zeppelin.


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Monday, Jun 23, 2014
They cornered the genre known as "party-pop", dressed in '60s thrift store kitsch, and poured jokes and humor into all their lyrics. Oh, and their debut album is actually one of the greatest rock albums ever made. No, really.

There are a lot of iconic B-52’s one-liners. Most of them are funny. Some of them are downright surreal. Yet virtually all of them leave you feeling like you’re going down to where the love honey grows, and picking just one to sum up the entire aesthetic of these fearless Athens, Georgia New Wavers is actually harder than you’d think. Do you pick a zinger from “Love Shack”? The bizarre “Song for a Future Generation”? The wonderful guitar strut of “Private Idaho”?


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Friday, Jun 20, 2014
You should know compared to people on a global scale our kind has had it relatively easy. Jason Isbell gets that -- and a lot more as well. His 2013 release is this week’s Counterbalance.

Klinger: As much as we music nerds like to praise our rock stars for their untamed excesses, weaving their tales of substance-fueled debauchery into the grand narrative of pop mythology, we don’t often spend much time thinking about the realities of the lifestyle. For all the talk about Led Zeppelin’s mud sharks or Sid Vicious’ bad night at the Chelsea Hotel or Fleetwood Mac’s coked-out romantic recriminations, it’s easy to forget that these are the actions of actual people, who had to wake up the next morning and look at themselves in the mirror. Jason Isbell, former partner in the songwriting triumvirate Drive-By Truckers, has crafted an incredible new album, Southeastern, that chronicles the aftermath of people’s excesses, especially his own. It also reveals him to be a songwriter of uncommon depth and humanity.


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