Call for Music Writers... Rock, Indie, Hip-hop, R&B, Electronic, Americana, Metal, World and More

 
Bookmark and Share
Text:AAA
Wednesday, Apr 1, 2015
Episode 10 of Pop Unmuted looks at legendary pop producer/songwriter Max Martin, his 30 year career, and his latest hit with Ellie Goulding's "Love Me Like You Do."

Pop Unmuted is a podcast dedicated to in-depth discussion of pop music from varying critical and academic perspectives. On Episode 10, Scott Interrante and Kurt Trowbridge are joined by Melbourne, Australia-based pop podcaster Daniel Gregg and Music Theory PhD candidate Megan Lavengood to talk about legendary pop producer and songwriter Max Martin. We then delve deeper into his most recent hit, Ellie Goulding’s “Love Me Like You Do”, and close with a special Max Martin themed Unmuted Pop Songs segment.


Bookmark and Share
Text:AAA
Tuesday, Mar 31, 2015
John Moreland just cannot write a happy song. That's not a critic's assessment: he says so himself.

John Moreland has a cult following, as he should. I was late to the party, but first got to know him through the 2013 online music festival Couch By Couchwest. Country Fried Rock finally featured him in early 2014, as he was planning his next album, High on Tulsa Heat, now being released this spring via Thirty Tigers.


His previous record, In the Throes, is one of the most gut-wrenching records we have featured, and Moreland’s live performances wring more emotion from a voice and guitar than seems humanly possible. Go ahead and pre-order the album now, and maybe a box of Kleenex. As Moreland says, “I just can’t write happy songs.”


Bookmark and Share
Text:AAA
Friday, Mar 27, 2015
What's for tea, darling? Darling, I said, What's for tea? It's a 1967 pop-art masterpiece. You're going to choke on it, too. A pioneer in the art of the concept album is this week's Counterbalance.

Klinger: Over the last four-plus years, we’ve talked about the Who twice, back when we were taking on the Great List in numerical order—two albums that are highly iconic, yet markedly different both from one another and from the Who’s earliest work. And no matter what relationship I’ve had with the Who over the years (and I’m on record as being back and forth with the group to degrees that alarm even me), I will always be a champion of their pre-Tommy work. That’s especially true of The Who Sell Out, which is currently the 312th most acclaimed album of all time and one that I return to fairly regularly. Released in late 1967, The Who Sell Out is an ingenious concept album that came out at a time before concept albums were de rigeur for artistes of a certain temperament.


Bookmark and Share
Text:AAA
Thursday, Mar 26, 2015
This week's best metal release finds some musical innovators from Brooklyn up to their philosophical shenanigans once again.

Album of the Week



Liturgy, The Ark Work (Thrill Jockey)
The more the years go by, the more Liturgy’s 2011 marvel Aesthethica stands out as one of the best metal albums of the decade so far. I can practically hear the cries of derision as I type. But it’s an album that so wonderfully turns the ideas of black metal on its ear, subverting, inverting it all so that instead of wallowing in misery and morbidity, it creates something bizarrely uplifting, its musical vision far outside extreme metal yet with its feet firmly planted in extreme metal influences. Typical of the metal scene, though, many were quick to react negatively toward Liturgy, but the more the backlash swelled the more apparent it was that folks were particularly preoccupied with the pretensions of guitarist/vocalist Hunter Hunt-Hendrix than the actual music. Four years have passed, and interviewers for metal publications are still bringing up his dissertation on black metal, unwilling to let that faux-controversy die.


Bookmark and Share
Text:AAA
Wednesday, Mar 25, 2015
Richard Jankovich released an electro-pop gem as the Burnside project in 2003. Now, he has a new name, two new albums he's giving away for free, and 20 questions to answer.

By the end of this introduction, you will own two Richard Jankovich albums.


Jankovich has been one of the most fascinating under-the-radar artists to emerge in the last 15 years. Back in 2003, he worked with a variety of collaborators under the name the Burnside Project. Their most notable album, 2003’s The Networks, the Circuits, the Streams, the Harmonies, was a small bit of electro-pop wonder, mixing pop culture-heavy lyrics with dynamic digital arrangements with an astute sense of melody. Who loved the Burnside Project? The UK charts did. Queer as Folk did, using single “Que the Pulse to Begin” as its theme song in later years. Hell, even Cameron Crowe did, nominating it for that year’s Shortlist Music Prize. There was a profound warmth to Jankovich’s music, which helped separate it from a lot of the other electronic acts at the time.


Now on PopMatters
PM Picks
Announcements

© 1999-2015 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.