Following my ardent endorsement of Rashanim (the great trio who have just released what may well be the best album of the year: http://www.popmatters.com/pm/post/109489-rashanim-healing-music-for-unrighteous-times/), I would be remiss to not also mention a new name we can hope to hear much more from in the years ahead. Yoshie Fruchter, also a guitarist, released his debut on (John Zorn’s label) Tzadik entitled Pitom in late 2008, and it is as indispensable as any of the Rashanim releases (”Pitom”, incidentally, means “suddenly” in Hebrew). It is similar in that it’s (mostly) rocking jazz with an explicitly Jewish sensibility, but where Madof’s traditional roots are always discernible, Fruchter sounds somewhat like a precocious younger brother who found the stash of ’70s prog rock albums and never put them down. In a (very) good way. Indeed, the kinship with the great King Crimson outfit of the early-to-mid ’70s is undeniable, not merely because both bands feature the same instrumentation (drums, bass, guitar and viola): there are songs on Pitom that recall some of the more adventurous tracks from Red and Larks’ Tongues in Aspic.
Check it out: