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by Paul Duffus

17 Aug 2015


Photo courtesy of Jim Newberry.

After the restless escapades of Lifestyle‘s opening trio of songs and their exotic thrills, dank apartments, and Motorhead-related hijinks, with the next track “Plain” we found ourselves back home, Silkworm’s home that is, in Missoula, Montana. The narrator of Tim Midyett’s beautiful love song gazed fondly back to the place and time where he first laid eyes on the object of his affection and his world changed. Uncharacteristically Lifestyle‘s fifth track stays put, and once again the former Hellgate Trading Post, the Garden City, Missoula is our setting, this time for the Andy Cohen penned “Roots”, which is the subject of this week’s blog entry. And whereas in “Plain” Missoula’s role was arguably that of backdrop to the main subject, namely the earliest bloom of love, in “Roots” it takes centre stage as Lifestyle, an album with themes of travel and movement, turns its attention to the problematic notion of home and all that can mean.

by Sloane Spencer

13 Aug 2015


RayLand Baxter shaved his mustache and put the chicken down for his latest release, Imaginary Man. As he has grown as a songwriter and performer since his debut album, Feathers & Fishhooks, he has also honed his team and his flexibility in lineups, ranging from solo to trio with two fiddles, to a full nine-piece band… and a Grateful Dead cover band full of friends.  With an engaging tale about why he capitalizes the “L” in the middle of his first name, and how the royal Russian family connects to the Grateful Dead, Baxter tells tales and writes songs that keep you listening.

by Paul Duffus

10 Aug 2015


Photo courtesy of Jim Newberry.

As noted in previous entries in this series, the first three tracks of Lifestylei form a breathless triptych. The opening track “Contempt” glides in at mid-pace, the tempo of the track matching its sun-lounger sighs of ennui. The second track “Slave Wages” grabs the baton and sprints away, the quickening of its stride matching its comic-tinged themes of fretfulness and the stress of a hand to mouth existence. Finally, the third track “Treat the New Guy Right” bundles the listener into its back seat and screeches off down the road, its hi-octane revs entirely appropriate to its portrayal of a fiery love affair.

by Andrew Doscas

7 Aug 2015


(Press photo)

Why couldn’t Rivera get the final three outs in the 2001 World Series? How good could Len Bias really have been? What if the Trailblazers drafted Kevin Durant instead of Greg Oden?  When it comes to sports, fans can’t resist the urge to play the what-if game; it’s a temptation that can’t be quelled. There’s simply no answer any of these questions, but it still doesn’t stop fans from pondering these lugubrious thoughts. Simply understanding why something didn’t happen isn’t enough; there’s a pathological need to discern exactly why something that should’ve happened didn’t happen.asso

by Sloane Spencer

6 Aug 2015


Caleb Caudle left North Carolina for New Orleans,but the layer that was painted on his heart sent him back home after a few years. After some life changes and hitting the bottom, Caudle is gearing up for his new record.

This conversation about his last release, Paint Another Layer on My Heart, as life was falling apart around him, shows Caudle’s optimism and growth towards a new, more mature songwriting level.

//Mixed media
//Blogs

Country Fried Rock: Drivin' N' Cryin' to Be Inducted into the Georgia Music Hall of Fame

// Sound Affects

""If Drivin' N' Cryin' sounded as good in the '80s as we do now, we could have been as big as Cinderella." -- Kevn Kinney

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