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picture taken from soundcoremusic.com

picture taken from soundcoremusic.com

Now that we’ve nearly settled into a post-record label era, a time when big labels are losing money and the only bands big enough to sell large quantities of albums and concert tickets are bands from the past, it makes sense that sensibilities have returned to lo-fi. It made sense in the ‘80s too, when there was the rebellion against the over-produced, super-slick synth sounds, but when grunge took off it kind of trivialized lo-fi’s relevance as a counter-cultural sound.

So, now that it’s easy for a kid in his bedroom to make something sound like the newest Kanye record, it seems like it’s really taking a stand to make your band/recording sound shitty, and the almost counter culture focuses its interest in lo-fi once more. It’s hard to define what is counter culture or indie at this point (I’m sure someone’s already written something about this and given it much more thought than me), when certain online music sites are the source for a certain sort of music fan and bands that would’ve been far too difficult years ago now appeal to every other college kid, this also confuses the genre.

by PopMatters Staff

16 Apr 2009


1. The latest book or movie that made you cry?
There were parts in Kate Atkinson’s Case Histories that really got to me, particularly dealing with plight of the overweight, asthmatic lawyer Theo, who could have easily become a caricature. The empathy and humanity that Atkinson shows Theo (imagine that, an ugly major character!) is well beyond the norm for most fiction, particularly mystery fiction. WALL-E also made me tear up at various points. The beginning is so cute and yet so sad. WALL-E‘s loneliness is palpable. Sure, it’s billed as a kid’s movie, but have you ever seen anything so desolate and bleak in your life?!

2. The fictional character most like you?
Hmmm…probably some buffoonish but lovable motormouth idiot out there. Falstaff? That Scottish guy from Four Weddings and a Funeral who died? Did I just give something away? Spoiler alert!

3. The greatest album, ever?
Oh man, this question is a tough one. I vacillate between any number of albums, including some usual suspects like Pet Sounds and Revolver and stuff, so I’m going to go oddball today and say that it’s Tindersticks’ second self-titled album, which, in its long running time, manages to incorporate spoken word, Serge Gainsbourg-style duets, distorted surf guitars, full orchestras, piano ballads, and a one-mic-recorded dirges without every getting boring once. It’s so overstuffed with dramatic gestures and ambition and well-executed bad ideas that it’s almost gaudy in its grandeur.

Two years ago, CunninLynguists, a group little known outside underground hip-hop circles, dropped Dirty Acres, easily one of the best hip-hop albums of 2007 and arguably one of the best albums of the past decade.

Three alliterative Ss were all you needed to describe Dirty Acres.

Subtle: Unlike many of their peers in the South, CunninLynguists don’t overpower you with club beats and violent vitriol. Instead, they let the subtle music and lyrics slowly work their way into your consciousness. It may take a little longer, but, once the songs are there, they stay for good.

Savvy: Kno, the primary producer in CunninLynguists, is one of the most savvy diggers around, searching for, selecting, and mixing a range of samples that serve as the basis for some of the most infectious beats in hip-hop. His songs aren’t supersaturated with layers of electronica, strings, and harmony vocals. Instead, Kno relies on timely cuts, careful tempo modification, and elegant key changes to enhance—rather than overpower—tasteful samples and thoughtful lyrics.

Music journalist. Biographer. One half of the Siskel & Ebert of pop music criticism. Jim DeRogatis shares anecdotes about Lester Bangs and lets us in on some of his guilty pleasures.

This close knit band does everything their way, whether releasing EPs in place of albums and bringing their kids on the road. Timshel Matheny and her brother, Keegan DeWitt, talk about how they do it.

 

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