In the Twin Cities, Lori Barbero is a legend. She’s been a record label owner, a band manager, and, of course, the drummer for the legendary Babes in Toyland. Kat Bjelland may have provided the shrieks, but Barbero gave the band its tribal, often menacing pulse.
In person, Barbero is anything but menacing, as anyone who’s met her can attest. In a surprising move, she’s traded Minneapolis for balmy Austin, Texas.
As if the eagle-eye view of a Lego Dubai wasn’t already cool enough, it also features a a killer score by Ratatatty electronica-rock duo NOBOT. The sound design and audio effects were also pored over by Nobot’s Kyle Vande Slunt; the resulting clicks and bloops are a pretty crucial part of the experience, so you might prefer the alternate version of the track that leaves them all intact. Funny noises make everything better, even catastrophic end-of-civilization crises.
Over the last three decades, not much has changed in the way of heavy metal music videos. While cutting-edge filmmakers like Michel Gondry, Spike Jonze, Chris Cunningham, and Jonathan Glazer created innovative pieces in the pop, electronic, and indie rock realms, metal videos, on the other hand, have been merely content to stay the course, opting primarily to please the fans as opposed to trying to break new ground in the medium. There have been exceptions, of course, Tool being the most obvious, but for the most part, metal clips tend to fall into three categories: a deliberate showcase of a band’s latest stage show, a straightforward clip of a band performing among its rabid fans, and conceptual stories intercut with simple performance footage.
The latter category has yielded extraordinary results in the past, but it’s been a long time since we’ve seen a metal band embrace the music video quite like Mastodon has done this year in the wake of the release of their excellent album Crack the Skye. Enlisting director Roboshobo, the man behind last year’s spectacular clip for Metallica’s “All Nightmare Long”, Mastodon’s video for “Divinations” involved a caveman trapped in ice, a Yeti, and cannibalism, and the partnership’s follow-up “Oblivion” delves into far more cosmic territory. Typical of the band’s tendency towards rather outlandish, convoluted concepts, the storyline centers on the foursome on a space rescue mission, the sudden appearance of vegetation and butterflies outside of the craft, and the mysterious, blissful deaths of Troy Sanders’s crew. What it all specifically means is open to interpretation (goodness knows Mastodon’s explanations of their concepts tend to complicate things even further), but the joy with which the band throws themselves into the whole video making process, coupled with some actual major label bucks, makes for a terrific visual complement to one of the year’s better hard rock singles.
1. The latest book or movie that made you cry?
The last book that made me cry was My Friend Leonard by James Frey. It’s the follow up to Million Little Pieces. I really don’t care how much is fact and how much is fiction, it’s just an emotional read.
2. The fictional character most like you?
Barney Rubble from The Flintstones.
3. The greatest album, ever? Revolver by The Beatles. You could pick any album really. Anyone who thinks they are not the best band ever is just being contrary.
4. Star Trek or Star Wars?
I prefer Star Wars to Star Trek.
Rancid - Let the Dominoes Fall
Rancid have been gone for a regrettably long time, having not put out new studio material since 2003’s Indestructible. Their raw and poppy brand of smart punk rooted heavily in Clash influences has been sorely missed, especially as these tough financial times and torture scandal tinged days imploringly cry out for angry, literate and passionate voices like Tim Armstrong and co. Let the Dominoes Fall is another fine entry to the band’s catalog with its tunes of disillusionment. They pay tribute to soldiers on “The Bravest Kids” and they try their hand at country this go-around with “Civilian Ways”. Yes, everyone seems to be reaching for the dobros these days.
Elvis Costello - Secret, Profane and Sugarcane
Elvis Costello has long harbored a passion for country music and he’s created twang-filled albums before, with 1981’s Almost Blue, recorded in Nashville, being one of the highlights of his distinguished discography. It’s only fitting that a songwriter of Costello’s literary talent would embrace the quite visceral and adult medium of country music. He’s returned in 2009 with another platter full of rootsy tunes, here. The elder Costello inhabits these climes like an old native.