Call for Essays About Any Aspect of Popular Culture, Present or Past

 
Bookmark and Share
Text:AAA
Wednesday, Nov 19, 2014
Mark Springer's Piano is an album to remind listeners of the possibilities on offer when one is open to chance and emotion.

Possibly the only punker during the UK’s post-punk revolution in the early ‘80s to have a serious understanding and appreciation of Chopin and Stravinsky, Mark Springer was always an outsider amongst the outsiders. As a member of Rip, Rig and Panic, a post-punk band that melded the incendiary attitude of punk with the free-flowing good vibes of funk and jazz, Springer added to the proceedings the unlikely element of classical music. His unusual contributions made him at once an appreciated and welcome colour in the dreary landscape of post-punk, as well as an alienated affiliate.


Bookmark and Share
Text:AAA
Tuesday, Nov 18, 2014
For its third and fourth tracks, Broken arms itself with a bludgeoning wall of sound, followed by silent, creeping dread

The drifting ambiance that fills out the closing seconds of “Wish” is a brief respite before the Broken EP continues on with its rage-fuelled march with “Last”. Take heed and prepare yourself before pressing the “Play” button: “Last” is loud. A seemingly impossibly huge wall of guitars slams against the ears the instant the song starts, and the onslaught scarcely relents until the track finishes.


Bookmark and Share
Text:AAA
Friday, Nov 14, 2014
This week's Counterbalance serenades the weekend squire who just came out to mow his lawn. A pop-psych delight, or the only choo-choo train that was left out in the rain the day after Santa came? Let's find out.

Klinger: I’m just going to come right out and say it: The Monkees’ fourth album, Pisces, Aquarius, Capricorn & Jones Ltd.. is a great album. I realize that the Monkees have never gotten their due as one of the all-time great pop acts. I get that the fact that they were formed to star in a TV comedy will forever be held against them. I even understand that when they do receive grudging praise from “serious” rock snobs, it’s more likely to be for their previous album Headquarters (mainly because they played most of the instruments themselves). I don’t care. Pisces, Aquarius, Capricorn & Jones Ltd.. is a great album, and one that I listen to with surprising regularity.


Bookmark and Share
Text:AAA
Thursday, Nov 13, 2014
Dizraeli, Boho-hip-hop ranter and raver, has built up a steady following with his homespun grooves and twitchy raps.

As someone who has been willing to stir up a lot of shit, British rapper Dizraeli has been setting teeth on edge since his politicized hip-hop masterstroke Engurland (City Shanties) back in 2009. That album gave listeners a taste of the rapper’s ramshackled hip-hop, which fused elements as disparate as folk, Africana, spoken word, turntablism, and boho jazz.


A known wild card onstage (the artist once set a number of cars on fire for public amusement), Dizraeli is also in a minor movement of rappers who make strong appeals for social awareness, bridging the wide gap between the hedonistic throw-downs of club bangers and the invectives of social protest. His previous effort (with his band the Small Gods), explored the world outside his UK homeland after a trip to the Middle East region. An attempt to traverse cultural boundaries and dismantle stereotypes about “othered” cultures, Moving in the Dark (2013) no less captured the imagination with its message of social compassion and homebrewed grooves that were cooked and baked like homeopathic remedies.


Bookmark and Share
Text:AAA
Wednesday, Nov 12, 2014
“This is the first day / Of my last days." Nine Inch Nails' 1992 EP begins by gradually building up tension, then releasing it in caustic (yet controlled) outbursts that earned the act a Grammy Award.

Even working within the constraints of the EP format’s short runtime, Trent Reznor takes pains to open Broken with a sense of occasion. The first track is “Pinion”, a scant one minute and three seconds of an ascending guitar pattern gradually increasing in volume. When described that way, it doesn’t sound very exciting. That’s because “Pinion” is meant to be listened to, preferably with headphones on in order to appreciate the ambient noises that are also percolating in the background, slowly building up body and dread. The guitars are heavily processed and most likely sampled—note the disjointed quality of the chords, which is audible evidence of digital cut-and-pasting.


Now on PopMatters
PM Picks
Announcements

© 1999-2014 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.