A Ferris wheel is an appropriate metaphor for the career of Bruce Sudano. Like a passenger car rotating full circle, he’s traveled 360 degrees. The towering palm trees in the video for “A Glass of Red and the Sunset”, which captures the Ferris wheel at Venice Beach, greeted the Brooklyn-born musician when he first moved to the west coast in the early-‘70s to explore the singer-songwriter scene. Now that the Nashville-based Sudano has relocated to Los Angeles to begin writing material for his fourth solo album, palm trees once again shape his surroundings.
In fact, any occasion that brings Bruce Sudano to Los Angeles inevitably serves as a career benchmark. He appeared as one of six faces frolicking in the waves at Malibu on the eponymous debut of Alive ‘N Kickin’ (1969). Years after the New York City-based band landed a Top Ten hit with the Tommy James-penned “Tighter, Tighter”, Sudano moved back to the West Coast and re-emerged as one-third of pop/soul trio Brooklyn Dreams. Following the success of his third solo album, Life and the Romantic (2009), Sudano is once again drawing on the City of Angels for inspiration.
Sudano employs a contemporary jazz sensibility on “Beyond Forever”, the third single off Life and the Romantic. The whispery sheen of the song is a career best for a songwriter who’s often traversed a chameleonic course over the pop landscape. Exhibiting a fluency in many milieus, his songs have topped both the R&B and dance charts (the rare Michael Jackson and Jermaine Jackson duet, “Tell Me I’m Not Dreaming”) and country (Dolly Parton’s recording of “Starting Over Again”). Of course “Bad Girls”, which he wrote with Donna Summer and his Brooklyn Dreams cohorts, was a cross-over smash that crowned the pop, R&B, and disco charts in 1979. In more recent years, his own solo sides have reached the summit of the Adult Contemporary charts (“It’s Her Wedding Day”) and are even now becoming a presence on smooth jazz radio stations (“A Glass of Red and the Sunset”).