Call for Music Writers... Rock, Indie, Hip-hop, R&B, Electronic, Americana, Metal, World and More

 
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Monday, Apr 5, 2010
Artist/producer PC Muñoz mines for gems and grills the greats.

Over the years, East LA stalwarts Los Lobos have consistently proven themselves to be visionary recording artists, approaching each album with a distinct sonic palette, a daring attitude, a batch of kickass songs, and lots of pure rock n roll abandon. “La Guacamaya” is from their most controversial record, La Pistola y El Corazón, which is a cover album of sorts: the entire record, save for two originals, features the group’s interpretations of songs from various Mexican music traditions.


“La Guacamaya” is from the Son Jarocho tradition, which originated in Veracruz, Mexico. “La Bamba” is probably the most famous Son Jarocho tune. Though I also love the moody Huapango style, Son Jarocho is probably my favorite style of Mexican music because of both the form (characterized by call-and-response vocals, rhythmic playing, and improvisation) and the instrumentation (I love La Arpa Jarocha, the harp associated with this style). “La Guacamaya” (ostensibly about the multicolored toucan/macaw bird) is rendered here with the precise syncopation and gusto of musicians who thoroughly know and love this music. The lead vocal is by Cesar Rosas, whose way with a Spanish lyric expresses both the intent of the tradition and his own rock/R&B background. Dig the lyric:


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Sunday, Apr 4, 2010
by PopMatters Staff

Simply send an email to contests@popmatters.com with your name, email address and city/state and we will select a winner each day this week to win a pair of tickets to the event. The event is in the Bay Area, so please keep that in mind when entering.


 

Enter to win a pair of tickets to Yuri’s Night Bay Area on April 10th with Common, N*E*R*D, Les Claypool, the Black Keys and more!


Celebrated across the world, Yuri’s Night is a global party in honor of Yuri Gagarin, the first man in space. Yuri’s Night’s mission is to support space programs and make space exploration cool again. Founded in 2000 by the UN’s Space Generation Forum, Yuri’s Night has evolved into a planet-wide event celebrating man’s scientific achievements.


Hosted in the Bay Area at NASA Ames Research Center, the local party will feature demonstrations and seminars by NASA employees, cosmically-themed art exhibits, and a live music by a quadruple-threat of a lineup: Common, the Black Keys, N*E*R*D, and Les Claypool.


 

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Friday, Apr 2, 2010

After months of being exposed to Lady Gaga’s “Bad Romance” (a song that contains what I consider the single most annoying hook of 2009) via its endless plays on the top 40 radio station every store I enter seems to be piping in, I was reasonably certain I had no pressing desire to further explore the work of pop music’s current It Girl. Ah, but nothing demands attention like a zeitgeist-capturing hit, the sort everyone around you seems to have already heard dozens of times. Given the massive attention afforded to Gaga’s latest single “Telephone”—a duet with new millennial R&B diva Beyoncé Knowles—I took that as a sign that I should probably see what the fuss was about. So I caved and watched the video for the song on YouTube (which, it must be said at every opportunity, is so much more a fitting vehicle for the music video medium than any cable network currently is).


And, well… the song didn’t impress me. A rather routine modern dance-pop tune that demands attention based more on its volume than due either to its hooks or its groove. Not bad, but not outstanding either, and also not as effective as Gaga’s previous singles. But to be fair, it isn’t necessarily the song I’ve been hearing everyone yabber about. It’s the epic nine-and-a-half-minute video directed by Jonas Akerlund that’s really demanding the public’s attention.



Tagged as: beyoncé, lady gaga
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Friday, Apr 2, 2010

In the last year, UK listeners have been inundated with the sound of the nasal-grazing, strawberry vixen, Florence Welsh – or as she is more popularly referred to as, Florence and the Machine. An opinionated, and compulsive Londoner, Florence, at just 22, was able to instigate the re-emergence of a musical trend that seemed to have petered out when the terms ‘avant garde’, and ‘experimental’, all of a sudden became unsexy.


By formulating arty piano tunes, and splashing in garage rock, and ‘80s style pop, synthesizers, and luscious string-soaked ballads, Florence seems to manage the unwieldy with effortless grace. This is coupled with a Kate Bush style quirkiness, a Christie Hynde snarl, and an effortless vocal ability that sits somewhere between Annie Lennox and Etta James.


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Thursday, Apr 1, 2010
The band's longtime vocalist has hinted at a possible reunion. Will this lead to a new era of success for Anthrax, or will the confusion and uncertainty of the past seven years continue?

In a recent interview with MetalSucks, Armored Saint/ex-Anthrax lead singer John Bush said that the possibility exists that he would provide vocals for Anthrax’s Worship Music, an album that was supposed to be released in October 2009, but was delayed when then-singer Dan Nelson left the band. Anthrax has played some live shows with Bush since then, and the responses have been overwhelmingly positive. Fans and critics alike have been constantly asking current members of Anthrax if Bush would return, and the response has been one of uncertainty every time. Bush’s statement that the possibility still exists will likely fuel a whole new wave of the same questions.


There’s no doubt that Bush returning to Anthrax would be an amazing turn of events, especially considering that Anthrax’s last album, 2003’s We’ve Come for You All, was Bush’s last album with the band before his departure. Ending the waiting period of Worship Music would also put Anthrax back in the spotlight of the music scene, opening doors for a variety of interesting tours, including the highly-rumored “Big 4 Tour” of Slayer, Metallica, Megadeth, and Anthrax that has been suggested and then shut down several times in recent months. Fans would love him for returning to the band full-time after fading off the radar in 2005.


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