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It’s now been 30 years since the British post-punk quartet Joy Division released its final (and best-known) single on the Manchester, England-based indie label Factory Records. Hitting record store shelves as a 7” vinyl release not long before the band’s singer Ian Curtis took his own life on May 18, 1980, “Love Will Tear Us Apart” became a totemic record in the aftermath of that tragedy, widely taken as the last will and testament of a riveting yet tormented frontman. It’s without a doubt the short-lived group’s signature song, and even to this day when the band’s name is mentioned, “Love Will Tear Us Apart” has a 99.99% likelihood of being the first tune to come to mind.

Despite a legend the song cultivated almost immediately, (the original June 1980 Melody Maker review of the single described it as “Evocative, interesting… a powerfully original piece of music”), “Love Will Tear Us Apart” is not Joy Division’s best or most ambitious composition. Lacking the propulsive drive of “Transmission”, the dread anxiety of “She’s Lost Control”, and the sepulchral majesty of “Atmosphere”, “Love Will Tear Us Apart” is thin and subdued, almost undeserving of its acclaim. Rendered coldly distant by Martin Hannett’s trademark production, Bernard Sumner and Peter Hook restrict themselves to repeating their personalized variations of the main melody riff on keyboard and bass, respectively, while Ian Curtis delivers half-hearted stabs of guitar throughout. Aside from Stephen Morris’ ever-frenetic drum rhythms, the band sounds sapped of strength on the final recording, as if it has succumbed to solemnly accepting its fated demise.

An earlier version of this post appeared on pcmunoz.com on August 16, 2005

“Home Again”—Carole King
Written by Carole King
From Tapestry (Sony, 1971)

Though “It’s Too Late” might be a little more famous, and “You’ve Got a Friend” certainly gets covered more often, I’ve always felt that the piano ballad “Home Again” is the emotional center of Carole King’s classic Tapestry album. It begins with a starkly direct confession:

Sometimes I wonder if I’m ever gonna make it home again
It’s so far and out of sight

May is shaping up to be a huge month not only for summer movies, but for music. Four bands that have released Album of the Year-quality albums are set to release new albums in the coming weeks. As a music geek, you may have looked forward to these types of “Super Tuesday” events when two or even three big releases dropped on the same day. However, the advent of streaming releases ahead of the release date has taken much of the luster out of these musical “Super Tuesdays”.

Almost a month before its May 17th release date, LCD Soundsystem is streaming This is Happening on their website. NPR is streaming the new Hold Steady and Broken Social Scene albums. And last week, The New York Times streamed The National’s High Violet.

You may know Neil Innes’ name, or perhaps some of the seemingly endless list of classic music, film and television pies he’s had his talented fingers in over the decades. But he’s by no means a celebrity, and that’s perfectly alright with him.

“There’s no hysteria, there’s no Innes-mania out there,” said Innes. “And that’s good, because I can’t stand all that. I’m not really a show business creature. I want it all. I love playing with all the toys, I love filming, I love playing with musicians, but the fame thing I just can’t hack at all.”

Innes was speaking prior to his Tuesday night one-man show at B.B. King in the heart of Times Square, nearly at the midway point of a tour which sees him mixing favorites from his work with the Bonzo Dog Doo-Dah Band, Monty Python and the Rutles with new material that shows he’s still got the innate knack for a clever turn of phrase and melody. The performance thrilled a crowd which included Glen Hansard and Markéta Irglová of Swell Season, with the former in stitches and the latter bobbing her head while wearing an Innes t-shirt throughout.

There’s something about a compilation CD that excites this audiophile. I went into my local record shop to celebrate Record Store Day and asked if there were any new ones to buy. It’s always a great opportunity to explore and perhaps discover something unnoticed on the musical landscape. Of course, other retailers are now in the game too, from Starbucks to Pottery Barn, offering up their own versions in order to extend their influence in the name of branding. These companies are certainly known for carefully crafted musical soundtracks in store (I enjoy playing ‘name that tune’ while shopping) but now they want to follow you out the door.

//Blogs

The Best and Worst Films of Spring 2015

// Short Ends and Leader

"January through April is a time typically made up of award season leftovers, pre-summer spectacle, and more than a few throwaways. Here are PopMatters' choices for the best and worst of the last four months.

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