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Wednesday, Jan 7, 2015
Despite the detractors who insist that she gives it up, Madonna is determined to dominate the cultural conversation once again.

Madonna is making headlines again, and for the first time in two years, the topic of conversation is her music.


Over the past few weeks, demos of her latest songs have leaked into the Internet, forcing the pop star to think practically about her next move. In a seemingly desperate decision, Madonna made six finished tracks available to digitally download on 20 December 2014, and announced that her 13th studio album Rebel Heart, scheduled to be released on 10 March 2015, would come with 13 additional tracks.


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Tuesday, Dec 30, 2014
On Episode 7 of Pop Unmuted, we talk about women in pop music in 2014, covering Beyonce, Taylor Swift, and some of our personal favorite moments.

Pop Unmuted is a podcast dedicated to the in-depth discussion of pop music from varying critical and academic perspectives. For the final episode of Pop Unmuted in 2014, Scott Interrante and Kurt Trowbridge are joined by PhD Music Theory student Taylor Myers and Music Theory Master’s student Aurora Montgomery to talk about women in pop in 2014. We talk Beyonce, Taylor Swift, and some of our own personal favorite moments of women in pop.


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Friday, Dec 19, 2014
They say the 235th most acclaimed album of all time gets off on frustration, but I know you've got an explanation. The 1981 debut from a power-pop legend is this week's Counterbalance. Bad reputation? Not hardly.

Klinger: A few weeks ago, when we were talking about the Violent Femmes, I mentioned my admiration for the dB’s, a group that is, both figuratively and literally, the missing link between the proto-power pop of Big Star and the college rock of R.E.M. I did a little checking over at the Acclaimed Music site, the wellspring of the Great List and our statistical overlord these past four years, and lo and behold their first album, 1981’s Stands for Decibels, is still hanging in there at No. 2355. In the next few years, I suspect it will drop off, as newer, shinier objects capture the critical imagination and these relatively obscure pioneers drop even further off the cultural radar, so I’d like to take a moment to sing the praises of an eminently worthy album (and band) while I have the chance.


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Wednesday, Dec 17, 2014
by Max Qayyum
As the guitarist for A Rocket to the Moon, Nick Santino was worried if fans would follow his solo endeavors. As his 2014 album Big Skies and a recent UK tour has proven ... yes, yes they will.

Nick Santino is well known from his days of being lead vocalist and rhythm guitarist in American pop-rock band, A Rocket to the Moon. In 2013 they called it a day, and Santino carried on by himself.


While the split may have come swiftly, Santino moved on. He released a couple of EPs last year, and then released his first solo, full-band album, Big Skies, in May of this year. The record continued where A Rocket to the Moon left of, yet left Santino in a position to add new influences here and there, while expanding his musical career.


Now, being signed to 8123, Santino is touring with the UK on the label’s own tour, supporting alternative-rockers The Maine and indie-pop group Lydia. The tour has been a major success, and PopMatters caught up with Santino in Nottingham to talk about the transition from touring in a big rock band to gracing the stage with just a guitar.


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Monday, Dec 15, 2014
The nasty little piece of work that is the Broken EP ends with Trent Reznor bringing a previous side-project collaboration fully under the Nine Inch Nails umbrella.

After nearly a half-hour of industrial intensity (as well as a fake ending), Nine Inch Nails’ Broken EP finally closes with a drastic reworking of “Suck”. Unlike Adam and the Antz’s “Physical (You’re So)”, it’s not quite accurate to call this take on the song a cover. NIN’s Trent Reznor actually recorded the original version of “Suck” with industrial collab Pigface for its 1991 album Gub.


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