Originally offered to Phil Spector to record with the Ronettes, the third track on The Beach Boys Today! presents a conflicted and guilt-ridden autobiographical narrative.
Undoubtedly, Brian Wilson’s biggest influence during this period of his life—and for most of his career, in fact—was Phil Spector. The songs that Spector wrote and produced for groups like the Crystals and the Ronettes would be a constant source of fascination for the Beach Boy. In the early part of his career, Wilson would go to Gold Star Studios to sit in on Spector’s recording sessions to see how he created his “wall of sound” production style in order to mimic it on the Beach Boys’ records. The production style utilizes layers of guitars, keyboards, and percussion instruments, often along with strings, brass, and woodwinds, all tracked together live in the same room to create a thick and chaotic yet wonderful sound. And this “bigger is better” philosophy to arranging and producing is what pushed Wilson towards much of the innovation we find on albums like The Beach Boys Today!, Summer Days (And Summer Nights!!), and Pet Sounds. But despite arguably surpassing Spector’s achievements in his own technique (which we’ll discuss later in this Between The Grooves Series), Wilson remained humble, saying in 1998, “I never considered [the Beach Boys] to be anything but just a messenger for his music.”