By the end of this introduction, you will own two Richard Jankovich albums.
Jankovich has been one of the most fascinating under-the-radar artists to emerge in the last 15 years. Back in 2003, he worked with a variety of collaborators under the name the Burnside Project. Their most notable album, 2003’s The Networks, the Circuits, the Streams, the Harmonies, was a small bit of electro-pop wonder, mixing pop culture-heavy lyrics with dynamic digital arrangements with an astute sense of melody. Who loved the Burnside Project? The UK charts did. Queer as Folk did, using single “Que the Pulse to Begin” as its theme song in later years. Hell, even Cameron Crowe did, nominating it for that year’s Shortlist Music Prize. There was a profound warmth to Jankovich’s music, which helped separate it from a lot of the other electronic acts at the time.