Latest Blog Posts

by Evan Sawdey

18 Mar 2014


New Bums may very well be the quietest supergroup in all of history.

On one end, you have the lo-fi acoustic strums of Donovan Quinn, best known for his homespun rock group Skygreen Leopards, who have been quietly releasing brilliant albums since 2001. On the other hand, you have Ben Chasny, who is known for his band Six Organs of Admittance and his other band Comets on Fire and his other band Rangda and—well, you get the idea. Chasny has proven himself adept and adjusting his indie-centric style towards whatever situation calls for a new flush of energy, and when he got together with Quinn, a little group called New Bums emerged.

by Evan Sawdey

11 Mar 2014


André Cymone has had one of the most interesting careers in music history.

Indeed, Cymone, who was a childhood friend of Prince’s, started out as the bassist for Prince back in the early days (some of their early work can be heard on the recently-released Numero Group compilation Purple Snow: Forecasting the Minneapolis Sound). He played with Prince quite a bit in the early days before branching out and going solo, having released a unique trilogy of efforts in the early ‘80s: 1982’s Living in the New Wave, the following year’s Surviving in the ‘80s, and his most popular disc, 1985’s A.C., which included a Prince-written track called “The Dance Electric”, which became a minor club hit. (Full disclosure: I wrote the liner notes for the 2012 UK re-release of A.C..)

by Evan Sawdey

5 Feb 2014


And you thought you had to wait a long time for Dr. Dre to release Detox.

When Latyrx’s debut album dropped in 1997, the enigmatic disc contained a glorious meshing of backpack rap icons from all sides, creating a unique, hypnotic, yet very accessible sound that really doesn’t have much peer, especially when heard a decade and a half later. Latyrx was a combination of Lateef the Truth Speaker and Lyrics Born, two highly talented MCs who went on to release numerous attention-grabbing solo albums of their own. Yet here, with the Blackalicious crew and DJ Shadow creating unique atmospheres for the dual rappers to spar over, Latyrx’s lone outing become the stuff of wonders, with songs alternatively funny and poignant, some songs even featuring Lyrics Born and Lateef rapping simultaneously out of different stereo channels, making for quite the headrush. It was the stuff that indie-rap dreams were made of, but as each member’s solo careers burdeoned in different ways, Latyrx’s The Album was viewed simply as a one-off.

by Evan Sawdey

27 Nov 2013


Back in 2008, the song “Nightdrive With You” seemed to emerge out of nowhere, with virtually no information known about this ‘80s-indebted pop wonder who simply went by the name Anoraak. Yet some solid singles and some very high-profile remix work with artists ranging from Neon Indian to Mika to Phoenix has suddenly made the Raak’s sound very much in demand.

Now, three years since his debut release, Anoraak is back with the neon-atmosphere synthpop work that is known simply as Chronotropic. Mixing a multitude synths sounds with his very plainspoken voice, the imagery and feelings this song conjures are both celebratory and cerebral, emotional but not without a solid beat behind it. Although sexy jams like “Guest Star” may work for your own private dance party, it’s things like the soaring chorus to “Falling Apart” that makes you stick around well after.

In celebrating the release of his new disc, Anoraak answers PopMatters’ 20 Questions and in doing so reveals a love of Starship Troopers, moderately-proportioned red wine, and the sincere advice his father gave him after school.

by Evan Sawdey

14 Nov 2013


Photo: Sarah Cass

It’s hard to believe that you haven’t heard of Mansions yet.

The brainchild of Christopher Browder, the very ‘90s-indebted alt-rock sound of Mansions is quite a sound to behold. Recorded in apartments and the his parents’ basement (moreso the early years than now), Mansions sound has evolved from the early lo-fi thump of his EPs to his meatier full-band dynamic sound now, moving from focused indie pop to the full-on rock conquest that he’s been on, but boy howdy does his third album, Doom Loop, pack a wallop. The album is filled with hooks, has a very strong ‘90s alt-rock bent, but with the vulgar shout-along chorus to the immensely catchy “Two Suits” in tow, it’s obvious that Browder is a unique entity in the pop landscape, and, for lack of a better term, just one hell of a songwriter.

Although the band has had good amounts of acclaim (and a wildly dynamic amount of touring partners ranging from Taking Back Sunday to Hellogoodbye), Doom Loop is very much poised to be the band’s breakthrough. To help celebrate the album’s release, Browder sat down to answer PopMatters’ 20 Questions, and here reveals which Mad Men character he’s most like, his academic approach to album listening, and his open drink invite to Bill Clinton ...

//Mixed media
//Blogs

A Chat with José González at Newport Folk Festival

// Notes from the Road

"José González's sets during Newport Folk Festival weren't on his birthday (that is today) but each looked to be a special intimate performance.

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