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Tuesday, Jul 31, 2012
This Portland-based foursome has released one of the year's deepest, most emotionally resonant records, although you wouldn't know it from these 20 Questions, wherein singer Corrina Repp tells us about wanting to dine with John C. Reilly, the magic of Moab, UT, and how she acquired a deaf cat named Jazz Hands.

When Tu Fawning came onto the scene in 2010, it was hard to know exactly what to make of this Portland-bred four-piece: was it a group that made sad pageant songs? Indie-rock funeral dirges? Sample-based pieces of experimental craftsmanship?


It’s truly hard to say, but the group soon began carving out a distinct niche for itself in the years that followed, touring the world while slowly crafting a deeper, more unique follow-up. This year’s A Monument features primal drumming, a smaller reliance on samples this time around (although they do pop up), and an even greater emphasis on singer Corrina Repp’s powerful voice (Joe Haege, Liza Rietz, and Tousssaint Perrault—multi-instrumentalists all—round out the lineup). The band’s live shows show the foursome breaking out violins, horns, and all manner of synths to drive their powerfully emotive music home. Even with the album’s release a few months ago, people are still starting to come around to the record, and the band’s reverent fanbase is slowly, gradually swelling.


As part of the group’s rise to prominence, Corrina has taken time out of the band’s busy schedule to answer PopMatters’ 20 Questions, here revealing how Motley Crüe managed to bring her to tears, the fantastic story of how she came into ownership of a deaf cat named Jazz Hands, and how she has “disease” for acquiring t-shirts . . .


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Wednesday, Jul 18, 2012
Success has been a long time coming for the former swimmer with a sassy mouth. Yet Dev has worked hard, and after making the phrase "gettin' slizzard" ubiquitous, she has now put up several solo hits of her own while taking time to answer PopMatters' 20 Questions, revealing affinity for Brand New, the Yeah Yeah Yeahs, and . . . her fiance's Mickey Mouse socks.

Dev has made a lot of buzz by doing the opposite of what is told.


She burst onto the scene in 2010 when she sang the hook on a song by the Far*East Movement called “Like a G6”, which went on to top the Billboard charts. Yet that song itself was actually based off of another song Dev (born Devin Star Tailes) had already recorded called “Booty Bounce”. What got Dev into singing in the first place, aside from choir and a love of Amy Winehouse? Why, recording a diss song to her ex-boyfriend’s new girlfriend. As legend has it, the song was then uploaded onto MySpace before the production team known as the Cataracs took notice, and once the connection was made to “Like a G6”, history was made.


Yet launching Dev as a solo venture proved tricky: she put out numerous singles, filmed music videos for each one, and even her hits—like the throbbing “Bass Down Low”—didn’t wind up making the final track listing for her disc The Night the Sun Came Up. In fact, since 2010, Dev has appeared in an astonishing 19 music videos counting her numerous guest spots (with the likes of JLS and Timbaland). That debut disc features a bit more of a confessional songwriter edge than what most people are used to, but it’s that very same edge that has made Dev stand out from the electro-pop crowd, and all of her hard work has finally paid off: her single “In the Dark” peaked at #11 on the Billboard charts, and her track “Naked [ft. Enrique Iglesias]” topped at #2 on the Dance Charts.


Now, touring at numerous radio events during the summer, the ever-busy artist took some time to sit down with PopMatters and answering our 20 Questions, here revealing a strong affinity for Brand New and the Yeah Yeah Yeahs, her fiance’s Mickey Mouse socks, and why she almost made it as a champion swimmer . . .


Tagged as: 20 questions
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Tuesday, Jun 19, 2012
What happens when you combine two of the smartest pop songwriters that Sweden has to offer? You get the incredible, feel-good bounce of We Are Serenades, and the band sits down with PopMatters to talk pencils, porridge, and re-imagining a Flaming Lips album in 3D . . .

We Are Serenades are a hell of an amalgamation.


On one hand, you have Adam Olenius, member of the Shout Out Louds, a Swedish group that lit up the blogosophere in the mid-late Aughties with impossibly catchy pop-rock numbers like “Impossible” and “Tonight I Have to Leave It”. Their songs were featured in numerous movies, TV shows, and commercials, and they had a small commercial following (their 2010 album Work actually entered the Billboard charts at #200 when released). Yet since that album, the band has remained rather silent.


Markus Krunegård, meanwhile, is an accomplished pop musician in his own right, having been a part of the Pello Revolvers, Hets, Laakso (noted for singles like their noteworthy “Demon”), and of his own solo work as well.


So what do the two gentlemen have in common? (Aside from being acclaimed Swedish rock musicians, obviously.) They have formed a new band called We Are Serenades, a pop force which definitely aims for widescreen pop: soaring choruses, fascinating instrumentation, and a feel-good sense of wonder that is impossible to face. With their debut album Criminal Heaven out now (their single “Birds” is already an incredible, orchestral box of sunshine for your ears), the band is doing the promotional rounds, which also includes a stop off to PopMatters’ 20 Questions, where the dynamic duo reveals the duo’s love of pencils, coffee & porridge, and the possibility of re-envisioning the Flaming Lips’ The Soft Bulletin in 3D . . .


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Wednesday, Jun 6, 2012
Few rappers have as many personas as Kool Keith does, and even fewer have the untouchable legacy that he carries with him. Now, with a brand-spakin' new album just out, Keith sat down to answer PopMatters' 20 Questions, here revealing why he'd build an even taller Empire State Building, have dinner with Queen Elizabeth, and why "other rappers talking crap is my brain food".

Where does one begin to summarize Kool Keith’s extraordinary career?


Do we start with his landmark work with the Ultramagnetic MCs? Do we mention KHM/The Clayborne Family? The Analog Brothers? What about his albums released under his own name Kool Keith? What about those released by Dr. Octagon? How about Dr. Dooom? Perhaps we can even mention the guest verses he’s done in recent years with everyone from Princess Superstar to Common Grackle?


Ultimately, Keith’s career is one of the most unique in all of rap music, with enough material to deconstruct and analyze several times over. Few people can mix the intelligent and the juvenile as easily as Keith can, which is evidenced no better than on his latest album, Love & Danger. While it does push forth some of the more mature lyrical tropes that have defined his recent work, the aesthetic recalls his classic albums from back in the day, making it a disc that pleases fans old and new alike. To help celebrate the release, Keith sat down to answer PopMatters’ 20 Questions, here revealing why he’d build an even taller Empire State Building, have dinner with Queen Elizabeth, and why “other rappers talking crap is my brain food”...


Tagged as: 20 questions
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Wednesday, May 30, 2012
Hannibal Buress is blowing up: a new special on Comedy Central, a show on Adult Swim, and -- of course -- answering PopMatters' 20 Questions, revealing why he may wear the same pair of jeans for two weeks, wonders what a conversation with a drunken President Obama would be like, and how he'd love to see what cell phones would like like 50 years in the future . . .

Hannibal Buress is three things: 1. Funny; 2. Somewhat mysterious; and 3. Gradually becoming omnipresent.


The first part is pretty obvious: Buress—who grew up in Chicago and now calls New York City his home—has slowly been working his way through the comedy scene, honing his writing skills by working on Saturday Night Live and 30 Rock and premiering his own material on late night programs like The Late Show with David Letterman and Jimmy Kimmel Live! after putting out his debut album, My Name is Hannibal, in 2010. His observational humor comes more from the outrageous than it does the mundane, like when he was pitching his surrealistic, conceptual sketches to Lorne Michaels to virtually no response.


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