It continues to amaze just how long it takes for some bands to get the payoff they deserve.
Case in point: look at Rah Rah: here’s a group of energetic Canadian songsmiths who have gone from party-hearty rock ‘n’ roll animals to established pop veterans, gaining great notoriety in their homeland but only recently did they start making inroads in the States and abroad. The original founding trio of Erin & Joel Passmore and Marshall Burns (multi-instrumentalists all) slowly began absorbing members of other bands like Despistado, creating a sound that was energetic but not without a through-line of actual musicianship, as violins, keys, and numerous things being pounded on created a sound that was dense but accessible, thoughtful but also dance-inducing as well. In short, the group was very much out to do their own thing, and are still waiting for the world to catch up.
Now, with this year’s The Poet’s Dead garnering attention even before its release, the group is slowly working their way into the mainstream. Since their formation in 2005, one of the hallmarks of the group has been their raucous live shows, featuring pom-poms, Pop Rocks, and a whole slew of colorful clothes that helped the group form a bond with their audience in the form of a giant party. Yet despite their unabashed enthusiasm, The Poet’s Dead shows the group a bit more stripped down, a bit more formal, and very much in tune with their vision. “Prairie Girl” would be a carefree hit in lesser hands, but is a wonderfully smart song in Rah Rah’s, smart and catchy at the same time without having to concede to anything. It’s what makes the group’s sound work, and is what is bringing them attention still even months before the disc’s release.
Now, founding member Marshall Burns takes another step forward with PopMatters’ 20 Questions, here revealing an affinity for Bob Dylan and Moonrise Kingdom, discovering Howlin’ Wolf for the first time, and which band he would’ve felt most at home with while wearing a leather jacket and eating vindaloo . . .