Latest Blog Posts

by Evan Sawdey

17 Feb 2011


Photo: Jenny Jimenez

It’s time to say hello to Eric Elbogen—despite the fact that he’s been here for awhile.

Ever since he initially moved to New York to form his band Say Hi in 2002—which is mostly a solo project for all intents and purposes—Elbogen has managed to put out six well-regarded solo albums, his stature growing with each and every release.  His 2009 album Oohs & Ahhs, for example, managed to get songs featured in everything from Cadillac ads to Showtime television programs.  Now, with his seventh disc, Um, Uh Oh, Elbogen’s alter ego is poised to break wide open, and the single “Devil” has already been featured in the TV show Gossip Girl, exposing Say Hi to a much larger audience.

Elbogen’s unique home-spun sound feels right at home on Barsuk, and his expressive, perfectly imperfect voice might invite more than a few welcome comparisons to that of Arcade Fire’s Win Butler.  His songwriting abilities are as sharp as ever, and people merely need to hear Um, Uh Oh‘s album opener “Dots on Maps” to understand what the fuss is all about.  Taking time from his busy schedule, Elbogen managed to sit down with PopMatters to answer our famed 20 Questions, revealing how he’s still trying to be a badass drummer, why you don’t mess with the Stones, and how he wants to be remembered for his terrible jokes . . .

by Evan Sawdey

18 Jan 2011


Common Grackle is about as uncommon a group as you’re likely to find. A collaboration between indie songwriter Gregory Pepper and the hip-producer Factor (who are both Canadian), Common Grackle’s debut album The Great Depression is a spry little rap disc that is dominated by acoustic guitars, acidic and cynical lyrics, and a Kool Keith cameo that’s as fun as it is totally unexpected.  When it is not lyrically dissecting all the hipster kids on tracks like “At the Grindcore Show”, the band find a dark heart beating at the center of the album’s title track, which features a morbid, snarky narrator facing uncertainty about taking his own life.  The band is unabashedly quirky, but unashamedly fearless, crafting an album that’s as funny and gut-wrenching as it is wholly unique, which is why The Great Depression remains one of 2010’s hidden musical gems.

Yet those who enjoy intelligent, wry pop music have gradually come around to Common Grackle, and just as its career is starting up, the band managed to take some time to respond to PopMatters’ 20 Questions, here discussing the “bored housewife” method of relaxation, why Bruce McCulloch was a brilliant actor, and how the works of Erik Satie has deeply affected Pepper himself . . .

by Evan Sawdey

14 Dec 2010


Tom Zé is one of the most underappreciated geniuses in all of pop music history. He is considered by many to be one of the founding fathers of the Tropicalia movement, which helped redefine how the world felt about Brazilian music culture from the 1960s onward.  Although people like Gilberto Gil and Os Mutantes all came from the same collective mindset, it wasn’t until the mid-‘80s when Zé broke through, having caught the eye of David Byrne, getting signed to his Luaka Bop record label, and soon experiencing a remarkable career renaissance . . .

Back in October of this year, Zé became recipient of some unique reissues, ranging from a fantastic multi-LP vinyl box set called Explaining Things So I Can Confuse You, along with a single-disc greatest hits retrospective CD called Estudando a Bossa. To help commemorate these releases, Zé sat down to do a brief 20 Questions feature with us here at PopMatters, revealing how he wished he discovered the diatonic scale, why he looks so good in a fig leaf, and how psychoanalysis is his stress management . . .

by Peta Andersen

8 Dec 2010


Richard “Kinky” Friedman is a modern Renaissance man—he’s an author, comedian, politician, musician, animal rights activist, and cigar salesman. He’s been endorsed by Willie Nelson and is famous for his politically-incorrect song, “They Ain’t Making Jews Like Jesus Anymore”. Now, he’s back touring the West Coast for the first time in almost 20 years, singing, talking, and signing copies of his latest book, Heroes of a Texas Childhood.

In a quiet corner of a New Mexico casino, Friedman tells PopMatters 20 Questions about Mexican mouthwash, Winston Churchill, and Australia.

by Allison Taich

7 Dec 2010


Le Concorde’s fourth studio album House (October 2010, Le Grand Magistery) has set 2010’s mark for contemplative pop, bursting with catchy hooks and California sunshine. House neatly presents love, memories and personal metamorphosis over a bed of keyboards, synthesizer, drum machine, and muffled guitar. The music itself features candy coated synthpop glistening with a topcoat of ‘80s New Wave. 

The slick and vibrant House was composed by the heart and soul of Le Concorde, a.k.a. Stephen Becker. Becker (singer/songwriter/multi-instrumentalist) crafted House’s earnest pop around migrating from the Midwest to the West Coast. In applying his personal journey, Becker embraced the pliable essence of modern pop music with clean layers of synthetic musings. PopMatters took a moment to get to know Becker with an old-fashioned round of 20 Questions. After listening to Becker’s music it is fitting to hear him gush about intellect, humanism, and urban culture.

//Mixed media
//Blogs

In Motion: On the Emptiness of Progress

// Moving Pixels

"Nils Pihl calls it, "Newtonian engagement", that is, when "an engaged player will remain engaged until acted upon by an outside force". That's "progress".

READ the article