Latest Blog Posts

by Ian King

15 Jun 2015

“I can’t obsess / Over you anymore / I can’t confess / That I love you”

Let’s get the definition of “Neurasthenia” out of the way: “an ill-defined medical condition characterized by lassitude, fatigue, headache, and irritability, associated chiefly with emotional disturbance.” A serious case of “the sads”, then.

by Ian King

9 Jun 2015

”Fill me innocently / When I have caved completely / With your talk of chances / The ones you never take.”

The third song on Kill the Lights, “Severance Denied”, fixates on spiritual and literal malnourishment. With the harrowing specter of “Slightly Dazed” still very much present, almost unwilling to recede, the thought of going through something like it all over again is off-putting. It would seem that the band felt much the same way, and as such, “Severance Denied” brings the tempo and the mood up a bit—although here, “up” is a very relative term.

by Ian King

1 Jun 2015

After 15 seconds, the silence is finally broken by a single grazing of a drumstick on a cymbal, followed by the shrill ring of guitar strings tugged and swiped at the head above the string guide. The volume builds. At 46 seconds in, the drums arrive in a rattling, lead-footed march. Finally, with a sharp wail of guitar feedback, lowercase dives in to “Slightly Dazed”.

by Ian King

26 May 2015

“Folding corners into perfect shapes / Went forlorn in a vapor of Elysian escapes”

That’s how these lines to “She Takes Me” read in the liner notes of lowercase’s Kill the Lights, at least. Coming out of the singer’s mouth, that second bit resembles something more like “when forlorn pings make hell each escape.” Not a full minute into the album, and already results diverge from intent. It won’t be the last discrepancy between the lyric sheet and the words that are actually sung—that is, if they even come out as words at all.

by AJ Ramirez

15 Dec 2014

After nearly a half-hour of industrial intensity (as well as a fake ending), Nine Inch Nails’ Broken EP finally closes with a drastic reworking of “Suck”. Unlike Adam and the Antz’s “Physical (You’re So)”, it’s not quite accurate to call this take on the song a cover. NIN’s Trent Reznor actually recorded the original version of “Suck” with industrial collab Pigface for its 1991 album Gub.

//Mixed media

Con Brio: The Best New Live Band in America?

// Notes from the Road

"There’s a preciousness to McCarter and the rest of the mostly young band. You want to freeze the moment, to make sure they are taking it all in too. Because it’s going to change.

READ the article