Latest Blog Posts

by Ian King

22 Jun 2015


“When someone comes up and goes, ‘oh man, that was fucking great, you guys rocked’, you are just like, ‘oh, thanks a lot, that is really nice.’ But then this friend of mine… in San Francisco, I remember a couple years ago—this is totally one of the nicest compliments that anyone has ever said – he was like, ‘oh my god, you guys were playing and it was so confusing, I felt like I was walking around in circles smoking cigarettes the whole time.’
—Brian Girgus, Skyscraper, Summer 1999

The chances that Girgus’ friend was specifically talking about “Stairways”, the short instrumental track on Kill the Lights, are admittedly slim, but all the same, that is as apt a way as any to describe the mood of the song. It is also probably not a bad way to explain how a lot of lowercase’s music makes you feel.

by Ian King

15 Jun 2015


“I can’t obsess / Over you anymore / I can’t confess / That I love you”

Let’s get the definition of “Neurasthenia” out of the way: “an ill-defined medical condition characterized by lassitude, fatigue, headache, and irritability, associated chiefly with emotional disturbance.” A serious case of “the sads”, then.

by Ian King

9 Jun 2015


”Fill me innocently / When I have caved completely / With your talk of chances / The ones you never take.”

The third song on Kill the Lights, “Severance Denied”, fixates on spiritual and literal malnourishment. With the harrowing specter of “Slightly Dazed” still very much present, almost unwilling to recede, the thought of going through something like it all over again is off-putting. It would seem that the band felt much the same way, and as such, “Severance Denied” brings the tempo and the mood up a bit—although here, “up” is a very relative term.

by Ian King

1 Jun 2015


After 15 seconds, the silence is finally broken by a single grazing of a drumstick on a cymbal, followed by the shrill ring of guitar strings tugged and swiped at the head above the string guide. The volume builds. At 46 seconds in, the drums arrive in a rattling, lead-footed march. Finally, with a sharp wail of guitar feedback, lowercase dives in to “Slightly Dazed”.

by Ian King

26 May 2015


“Folding corners into perfect shapes / Went forlorn in a vapor of Elysian escapes”

That’s how these lines to “She Takes Me” read in the liner notes of lowercase’s Kill the Lights, at least. Coming out of the singer’s mouth, that second bit resembles something more like “when forlorn pings make hell each escape.” Not a full minute into the album, and already results diverge from intent. It won’t be the last discrepancy between the lyric sheet and the words that are actually sung—that is, if they even come out as words at all.

//Mixed media
//Blogs

A Chat with José González at Newport Folk Festival

// Notes from the Road

"José González's sets during Newport Folk Festival weren't on his birthday (that is today) but each looked to be a special intimate performance.

READ the article