Critics' darling Lori Carson has been offering her small and devoted fanbase quiet bliss with her emotionally-textured and intimate songs over the last two decades. But just recently, Carson turned to her other love of literature. With her first novel, she delves even further into a strange and still familiar world -- one that her haunting music has often explored.
Lori Carson spent the last three decades immersed in the life of song, sketching out the details of her most personal explorations in a series of chord progressions, overdubs, and musical meters. Her music introduced the world to a highly introspective and sensitive woman who seemed to be communicating a life’s worth of trouble and joy by way of the guitar. Carson’s first effort, 1990’s Shelter, was a shy entrance into a world dominated by excessive noise; hair bands were dying out, hip-hop was just cresting in the mainstream, and British dance music had started to expand beyond the borders of the UK. Shelter was brave, in that it forced Carson into a lone confessional space with only her guitar. At the time, female singer-songwriters brandishing guitars were far and few between, and the industry hadn’t much time for young women making big confessions in very small ways. Carson’s music defied those misconceptions. Her musings may have been secretly intimate and, therefore, easily ignored, but her no-nonsense storytelling approach and convincing sway with melody and inflection ushered those who did listen into her small, private world.
Anton Fier, founder of the Golden Palominos, took notice and invited the singer to appear on two of the band’s most inventive and forward-thinking albums, This is How it Feels and Pure. Both albums explored electronic textures in a rock-band set-up, with Carson’s breathy cooing and warm acoustic guitar giving a sensual shading to each of the seductive numbers she appeared on. Following her stint with the Palominos, Carson would return to recording solo, turning out quietly devastating works, like 1997’s Everything I Touch Runs Wild, recorded mostly in the calm privacy of her apartment. Wild, the album in which the artist was finally received with some attention outside of her cultishly small fanbase, borrowed some of the influences heard on her collaborations with the Palominos, along with some of their guest session players (most notably Bill Laswell). A string of albums would follow, exploring various reaches of folk, pop, and electronica, and Carson remained musically active whilst still keeping a low profile and on the margins of commercial success.