There are no more summer lifeguard jobs. There are no more art museums to guard. The lab is out of white lab coats, because there are no more slides and microscopes. But there always careers talking about this week's Counterbalance album.
Mendelsohn: At one point in my life I had an insane addiction to new music. I would go through five or more albums a week, searching for that next great record. Downloading, buying, or using my media connections to get my hands on anything I could. If I it wasn’t new music, I wasn’t interested. And then we took on the Great List and my listening habits did a complete 180. New music was replaced by “old” music as we systematically moved through the Great List. I’ve been doing a little to catch up, trying not to fall into my old habits. So when I started seeing pieces on Parquet Courts’ new record, Sunbathing Animal, all of which mentioned the phenomenal quality of their previous record Light Up Gold, my interested was piqued. Old Mendelsohn would have just went out and picked up Sunbathing Animal, leaving Light Up Gold and their debut American Specialties for later, if ever. But if the Great List has taught me anything, it is to respect the organic development of music and appreciate where a band has been and where they could go.
So this week, we are listening to Parquet Courts’ second album. I haven’t listened to their new album yet — It’s sitting on my desk, Klinger, just waiting like a Christmas present — or their first album that nobody talks about (probably for good reason?). But first, we have to talk about Light Up Gold.