Klinger: Has there ever been a weirder song to make the playlists of mainstream FM rock stations than Lou Reed’s “Walk on the Wild Side”? It was an odd enough song by most rock standards, and to hear it sandwiched between AC/DC and 38 Special on our local AOR radio station just made it that much stranger. Of course you have the lyrics about the various transgendered doyennes of the Warhol scene—that alone is absolutely astonishing for a Top 40 single. But then the song is set against a folkie boho-jazz backdrop, complete with double bass from veteran session cat Herbie Flowers and an honest-to-Rollins sax solo from Ronnie Ross (who, by the way, also played on the Beatles’ “Savoy Truffle”). And then, as if all that weren’t enough, Lou makes an ill-advised, Archie Bunkeresque reference to the “colored girls”. It’s as if there was a brief crack in the dimensions and hit singles from Bizarro World leaked into the public consciousness.
Even if that were the only song of note on the album, I think it would make a strong case for Transformer‘s place here on the Great List. It’s a brave and occasionally baffling statement from one of rock’s most noteworthy figures, so critics were bound to take notice. The fact that it miraculously became a touchstone for the Dazed and Confused generation—people who likely had little familiarity with Reed’s earlier work with the Velvet Underground—seals the deal.