The recently-departed Jack Bruce could have had no complaints. He made history, he made records that made people happy, and he made some money along the way. Still, as one-third of the first ever “super group”, Cream, he was never a true superstar—not that he had designs on being one. Ultimately, he was bass player’s bass player, a singer’s singer, a songwriter’s songwriter and, above all, a music aficionado’s musician. Jack Bruce was, to invoke an inevitable cliché, the consummate professional: curious, seldom satisfied, always striving, ever-developing. Decades after he secured his legend, he kept on going, because that’s what the real legends do.
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Toyota has been blasting out a lot of videos on its YouTube channel to promote its forthcoming 2015 Sienna, all in an attempt to try and make a good solid viral campaign, going with everything from fathers having conversations/getting pep talks from the vehicle to kids pretending they’re in their own action movie. It’s actually a nice way to kind of “road test” (forgive the puns) ads to see what reaction is before buying slots from advertisers, which costs far more money than actually making the clips themselves.
Yet no one is talking about those previously-mentioned ads at the moment. Right now, everyone is talking about the “Swagger Wagon” ... and if the entire video is actually racist.
The United States is at an absolutely terrifying tipping point, and it’s all because of one terrifying number: “1%-2%”.
You see, ever since Napster and the music industry’s best year ever being at the peak of the millennial boy-band boom, physical album sales have gradually declined as digital has slowly inched its way towards becoming the dominant musical format. We’ve seen articles about this time and time again, and it wasn’t too long ago that a video went viral wherein modern children were asked to try and play music on a Walkman, and they were hilariously confused.
If you somehow didn’t know Ted Gioia’s name before his article on the Daily Beast, “Music Criticism Has Degenerated Into Lifestyle Reporting”, started spreading around like wildfire, then you most assuredly do now.
Valentine’s week is saturated with ads for ridiculously overpriced roses and chocolates that you’re supposed to buy your significant other to prove you love them at least for one day a year. It’s also a holiday that obviously excludes those who are single, or those who are still trying to pick up the pieces of a pervious relationship. Some of the greatest albums have been born from this exact scenario.
The most famous of these albums have backstories as interesting as the music. Be it a musician who retreated into the woods of Wisconsin, an artist who chose to follow-up a mega-selling blockbuster with a decidedly unanthematic look at a disintegrating relationship, or a group of musicians who were breaking up with one another under a haze of cocaine, these albums provide the soundtrack to that other side of love.
// Moving Pixels
"It's easy to dismiss blood and violence as salacious without considering why it is there, what its context is, and what it might communicate.READ the article