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Toyota has been blasting out a lot of videos on its YouTube channel to promote its forthcoming 2015 Sienna, all in an attempt to try and make a good solid viral campaign, going with everything from fathers having conversations/getting pep talks from the vehicle to kids pretending they’re in their own action movie. It’s actually a nice way to kind of “road test” (forgive the puns) ads to see what reaction is before buying slots from advertisers, which costs far more money than actually making the clips themselves.

Yet no one is talking about those previously-mentioned ads at the moment. Right now, everyone is talking about the “Swagger Wagon” ... and if the entire video is actually racist.

The United States is at an absolutely terrifying tipping point, and it’s all because of one terrifying number: “1%-2%”.

You see, ever since Napster and the music industry’s best year ever being at the peak of the millennial boy-band boom, physical album sales have gradually declined as digital has slowly inched its way towards becoming the dominant musical format. We’ve seen articles about this time and time again, and it wasn’t too long ago that a video went viral wherein modern children were asked to try and play music on a Walkman, and they were hilariously confused.

If you somehow didn’t know Ted Gioia’s name before his article on the Daily Beast, “Music Criticism Has Degenerated Into Lifestyle Reporting”, started spreading around like wildfire, then you most assuredly do now.

Valentine’s week is saturated with ads for ridiculously overpriced roses and chocolates that you’re supposed to buy your significant other to prove you love them at least for one day a year. It’s also a holiday that obviously excludes those who are single, or those who are still trying to pick up the pieces of a pervious relationship. Some of the greatest albums have been born from this exact scenario.

The most famous of these albums have backstories as interesting as the music. Be it a musician who retreated into the woods of Wisconsin, an artist who chose to follow-up a mega-selling blockbuster with a decidedly unanthematic look at a disintegrating relationship, or a group of musicians who were breaking up with one another under a haze of cocaine, these albums provide the soundtrack to that other side of love.

I stood in the aisle at One Stop News for quite some time before I decided to purchase the 1 August 2013 edition of Rolling Stone, the issue with Dzhokhar Tsarnaev (“Jahar”) on the cover.  Though I spent most of my teenage years in a small, weathered mill town outside of Worcester, Massachusetts, I readily identify as a Bostonian. My father grew up in South Boston; my mother grew up in Jamaica Plain. I was born in Quincy (“Qwinzee”) Hospital and spent the first few years of my life traveling back and forth to various family houses all over the South Shore.

Back in the early 2000s, I bandited the Boston Marathon, running a respectable, if totally unofficial, time for my first marathon. On that day, my future wife waited for me mere feet away from the finish line. 

Over the past decade, my wife has become quite the runner herself. She has been lucky enough to complete several marathons (I always seem to get injured beforehand). As a result, I have spent many, many mornings waiting at finish lines for her. My wife consistently runs her marathons broadly between 4:20:00 and 4:50:00. Had she been running the 2013 Boston Marathon, I would have been waiting for her, most likely at the finish line, most likely when the bombs went off. That was, and remains, a chilling thought.

So, petulant as it might sound, this Rolling Stone cover felt personal to me. And I took it personally.

//Blogs

Is Black Widow Still a Hero? Dissecting the Misogynistic Outrage Against the Avengers

// Short Ends and Leader

"Black Widow may very well be the pinnacle of the modern action heroine, so why is there so much backlash about her role in the new Avengers film?

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