Jack Savoretti’s last work, 2015’s Written in Scars, revealed an artist working at his full potential. An accomplishment of melodic infrastructure, Savoretti bolstered his tunes with solid grooves that never felt forced or contrived. It was one of the few efforts that year to merge a folk-pop sensibility with a few urban rhythms in ways that were seamless and fresh.
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He is a two-time Grammy award winner. He’s worked with legends like Smokey Robinson and has garnered praise from such musical luminaries as Public Enemy’s Chuck D. And still there are too many people who have yet to hear of him. Timothy Bloom has been diligently working the music circuit, writing and recording for the last six years or so. But he managed to turn some heads with his 2014 self-titled debut, an illustrious jewel of rousing blues and silky soul which featured his incredibly versatile singing.
“These were some of the best days of my life”, says Londoner Koray Fuat. “We had three music videos played on TV. We supported Montell Jordan, Lil Bow Wow and performed on the same stage as Kelle Le Roc and Roll Deep. These were interesting times.” Fuat refers to his days as a rapper in one of London’s few, if not only, Turkish-Brit hip-hop crews, Kontagious. The band’s one and only album The Epidemic failed to pave the way for further success, but it did make an admirable notch in the underground hip-hop/garage scene that had championed everyone from the Streets to Kano at the time.
If there was ever a genre called “blue devils hip-hop”, Andy Kayes may just be its choice practitioner. His blustering, electronica-squelched hip-hop is heavily saturated with moods so blue, his music grows heavier with every play. The France-based Englishman has been working the underground scenes of Lyon for some years now, splitting his time between open mics and recording studios whilst hooking up with some of the genre’s most respected names.
A 20-Year Pregnancy
Slow Dakota’s 2013 concept album Bürstner and the Baby destroyed my faith in the music world. Not in a “I’ve just listened to a Nickelback album” kind of way; no, in a slow way, over time, as I finally came to understand what the album is about.
// Sound Affects
"On the elusive yet clearly existential sadness that adds layers and textures to music.READ the article