Four years after the self release of the Head and the Heart’s self titled debut, the Seattle sextet returns with their greatly anticipated sophomore release, Let’s Be Still. Two years of relentless touring after the release combined with 10,000 units moved directly from the back of the van and industry chatter to influence regional powerhouse Sub Pop to take on the group as clients and release The Head and The Heart under their own brand label.
Success met success with this venture. The Sub Pop exposure led to high visibility touring slots, and the album continued to render healthy sales figures. There is very little reason to wonder why. Four years of touring covering roughly 40 minutes of music meant H&H were an act not to be missed at any regional summer mega-festival. Their self-titled album could be considered a bit lopsided in that its strong suits more than make up for tracks that shouldn’t be described as filler so much as middle of the road. The Head and the Heart might have been better labeled the Hot and the Cold. Where they work, they kill, but they aren’t without faults.