There was a time when Katy Perry was considered a commercial disappointment, believe it or not.
Although Katy Perry’s last album, Teenage Dream, came out all the way back in 2010, it sure doesn’t feel that way, what with her media omnipresence being felt on the radio (which still plays her five chart-toppers from that disc) to film to even being a tabloid queen with her courtship and eventual breakup from comedian Russell Brand. Yet even with two #1’s already to her belt prior to the album’s release (those songs of course being “Teenage Dream” and “California Gurls”), the fact that Perry’s album debuted with sales of “only” 200,000 made people think that perhaps Perry wasn’t the big-seller everyone thought she could be. Of course, her consistency is what made her last—not everyone can release an onslaught of broadly-appealing pop like that on such a regular basis, ditching the meta-qualities of Lady Gaga in favor of things much more simple and direct—and it’s that very reason why she was even able to make a film, perfume line, have fans who call themselves “KatyCats”, etc.
While promos for her new album Prism show Perry doing things like burning her iconic blue wig to showcase an artistic rebirth (echoes of George Michael, anyone?), the long-anticipated premiere of her new song “Roar” shows that, despite having just come off what may be her single finest songwriting achievement, her new track, while not an outright failure, is a surprisingly flat entry into her discography, doubly so for something that is supposed to usher in her new blockbuster album.