Alice Smith is discussing “Break”, the song that opens each show of her three-week residency at Joe’s Pub in New York City. “Who is going to save you from yourself?” goes a line in the bridge. It’s a question that could be directed towards friends and lovers alike. At the moment, however, Smith’s target includes label executives whose seeming expertise guides recording careers: “Who is going to save you from yourself and your stupid decision?” Tinged with exasperation, her voice crescendos. “Where’d you get your job? Out of a crackerjack box?”
That conversation was two years ago when Alice Smith was signed to Epic Records. Two years later, she’s extricated herself from the “crackerjack” brigade of her former label and is planning the follow-up to For Lovers, Dreamers & Me (2006), the album that landed her atop critics’ lists and netted her a Grammy nomination in the Best Urban/Alternative category. Slated for a winter 2013 release, She is being funded by Smith’s fervent fan base via Kickstarter and without the meddlesome hands of a major record label.