British singer V.V. Brown has gone through a lot to get to the release of her sophomore album, Lollipops and Politics. It’s the second offering of what she refers to as “odd pop”, which is a mighty declaration coming from a Northamptonshire girl who studied piano, violin, and classical voice training prior to joining punk bands creating a unique hybrid sound that has gained her worldwide attention. It was surprising to learn that one of the secret ingredients in her odd pop sound is her strong church-singing background and her affinity for gospel singers. This time around, V.V. is moving away from the retro sound and is exploring all that her voice and look can create, sitting down with PopMatters to tell us all about it ...
* * *
How would you describe the sound of Lollipops and Politics?
I find it really difficult to describe my music. I’m just a real lover of things. I think my trademark sound is based on my consumption. It’s just the fusing of so many things. That’s why I call my music “odd pop” because I can’t quite explain the sound. Even though this album sounds quite a bit different from [debut album] Traveling Like the Light, the one consistent thing I have been saying is that it is quite an odd fusion. So that’s the one thing that I would say, this album remains to be odd pop.