Probably one of the hardest-working bands around, Dreadzone have been cutting records for nearly two decades now, forging a path as one of the more trusted names in dub-rock to emerge on British soil. After a number of experiments in club-land sonics (namely, the dub-trance of Biological Radio and Once Upon a Time’s rave-rock hip hop), the band turns their attention toward the call of radio and opt this time for what is as close to a pop record that the Dreads can make. Eye on the Horizon is an album aimed at both the head and the feet, and Greg Roberts (AKA Greg Dread - founder and drummer) talks about Dreadzone’s approach on their latest offering.
PopMatters: Upon hearing the new Dreadzone album, there is an obvious shift toward pop-oriented structures. That is to say, the album seems to feature more “songs”, rather than “clubbers”. More emphasis lies in the instrumentation, rather than experimentations in loops/backing tracks/breaks etc. I could almost say that the music belies elements of orchestral pop, without it being exactly “orchestral”. Talk about the approach you took in making “pop” songs (if you at all agree with this assessment). What informed this new sense of direction and why at this point in your career, when you could have easily made a “pop” album earlier?
Greg Dread: Good question; it sounds like you have really understood this record. It is much more “pop” though in our own individual way with our rhythm and sound giving it an edge. The songs are our way of expressing the feeling from the last few years of losing people close to us, along with our desire to grow as songwriters. also we have gone beyond being a dance group with guest vocals, we have our own identity and voice and find it easier to channel those ideas after such a time. I don’t think we could have made a “pop” record before although Second Light had hooks that came naturally and people picked up on it. After all what is pop ... popular, reaching out a wider audience. We have a vibe we want to share with many people, and why not. ..this album is very much about expression through words and melody; a lot of dance-orientated groups throw vocal hooks on but miss out on a strong identity. I am kind of determined to make people recognise us for our tunes and not just as “dub dance festival band”. There are only so many times that we can reinvent the dub-meets-dance blueprint. It’s all about the song, for this album at least.