Caleb Caudle’s upcoming album, Carolina Ghost, is his first that’s been fully created since he got sober. The Country Fried Rock alum was previously featured on this program following Paint Another Layer on My Heart. He shares tips on releasing a record successfully, choosing songs to record, and the benefits of recording in a legendary studio close to home. After extensive touring both solo and with a band, Caudle feels like he’s starting to get it right.
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“Sometimes I’m really weird, I know,” concedes Wolfgang Flür towards the end of our interview.
Certainly, his eccentricities precede him: for starters, and to get the obvious out of the way, Flür was a member of Kraftwerk during their classic ‘70s/‘80s lineup, along with Karl Bartos and founders Ralf Hütter and Florian Schneider. With 1974’s Autobahn (the first to feature Flür as a full-time member), Kraftwerk infamously drew a line in the sand between their long-haired, jam-filled psychedelic past, and their precise electronic future.
But that’s the past. And since his departure from Kraftwerk, ending a great run with 1986’s underrated Electric Café (since reissued under the originally intended title Techno Pop), Flür has taken the seemingly paradoxical turns of repeatedly and public distancing himself from Kraftwerk, and penning a memoir, I Was a Robot (2000), which namechecks his artistic leviathan in its very title.
Aaron Lee Tasjan writes folk songs for an indie rock crowd, weaving storylines with humor and social commentary. His debut full-length album, In the Blazes, includes friends from his former band, Everest, at the helm, and the vibe of Elliott Smith’s studio, New Monkey. Tasjan is touring heavily in support of the album, opening for Ray Wylie Hubbard, and playing solo and band gigs across the country.
If there was ever a genre called “blue devils hip-hop”, Andy Kayes may just be its choice practitioner. His blustering, electronica-squelched hip-hop is heavily saturated with moods so blue, his music grows heavier with every play. The France-based Englishman has been working the underground scenes of Lyon for some years now, splitting his time between open mics and recording studios whilst hooking up with some of the genre’s most respected names.
He’s from England’s West Country but he sounds like he’s straight out of the Bronx.
Like a strange musical answer to The Lonely Londoners and The Planet of Junior Brown, British rapper Luca Brazi’s solo debut, Dying Proof, bridges the gap between the salty airs of English dives and the danger and panic of the South Bronx. The 20-something MC has been circulating in the UK’s underground hip-hop scenes for a number of years now, as a member of hip-hop collectives Granville Sessions, Moose Funk and B.O.M.B. He’s now just released his first solo album this past summer. It’s the product of everything the rapper has loved about hip-hop, his saving grace from his early school days as a young child growing up in the West Country.