Picking and honing down a Top Ten list is never easy, especially when grappling with previously under-documented subjects like women in punk. Though women co-pioneered the genre, forming the indelible face and sound of the underground singing for the likes of the Bags, the Avengers, X-Ray Sex, Blondie, and Siouxsie and the Banshees, majority-female bands have often slipped beneath the radar of many critics, pollsters, and everyday fans. My plan here wasn’t to list a definitive “must-have” compendium of records to seize and sell but to foster discussions about key, even breathtaking bands armed with desire and dedication.
Parameters do shape the choices. Some bands seem overly obscure (Neo Boys, Dishrags, Pink Section), a touch too mainstream (Go-Go’s, Donnas, Hole, and Pandoras), glam or hard rock (Runaways, L7), or disco and dance-oriented (the Gossip, currently with eight million YouTube watchers). Those bands, I argue, are superlative, despite not appearing on the list.
Other inclusions might have stirred accusations of nepotism; for instance, half of the Mydolls—art-core Texans that have conjured poetic and stylized underground music since 1978—play in a band with me. So, I decided not to cross that line. Furthermore, I attempted to reconcile a cross-section of genres, which may not satisfy all readers. The annoyed ones should scribble their own lists, or even better, jump-start bands and fanzines to keep the Do-It-Yourself ethos alive and well.