Few people in underground music retain the unvarnished status, proclivity for chance and change, and ductile dedication to musically honesty that Mike Watt does. His relationship to comrade D. Boon extends back to 1973, when the Californians formed the Bright Orange Band, then re-grouped as the Reactionaries, then settled in as the Minutemen by 1980. Considered uber poet-cum-punks armed with endless San Pedro slang, their music deftly fused dollops of Creedence Clearwater and Blue Oyster Cult with Pop Group and Wire. Their catalog alone is seminal and titanic, a working-class tome that impressed writers from Richard Meltzer to Mikal Gilmore and Michael Azerrad.
When D. Boon died in 1986, Watt briefly contributed songs to Sonic Youth for Evol and soon planted his feet in fIREHOSE, featuring Midwest exile Ed from Ohio (Crawford) as singer but retaining floppy-haired Minutemen drummer George Hurley as backbeat captain. From the trio’s days on Greg Ginn’s (Black Flag) iconic label SST to its foray on Columbia, fIREHOSE’s sound transformed from loose-knit Americana jazz-punk to big rock ’n’ roll blends, shaped by producers like J. Mascis of Dinosaur Jr.