New Order’s debut album, Movement (1981), celebrates its 30th birthday on November 13th, 2011. In its initial 13-year run, the quartet, hailing from Salford, England, and the nearby Manchester-based Factory Records scene of the late 1970s and early 1980s, accomplished something typically English and quaint: it changed the face of rock music. Guitarist Bernard Sumner, bassist Peter Hook, and drummer Stephen Morris decided to keep making music together after the dissolution of their previous group, post-punk heroes Joy Division, following the 1980 suicide of frontman Ian Curtis. The trio picked up keyboardist Gillian Gilbert and moved Sumner to an uneasy position as lead vocalist, but initially found it difficult to impress the same critics and fans that so adored Joy Division. Movement displays a band still indebted to its former selves, exploring Joy Division’s dark, seething sound without pushing it much forward.
However, the album has aged remarkably well, and critics and fans alike have come to regard it as a classic. By the time New Order released its second record, Power, Corruption & Lies (1983), the band had found its own footing: a largely synth-driven, kick-drum-fueled affair, Power (and the non-album cut that preceded it, “Blue Monday”, which became the best-selling single in 12” format in the UK’s history) gave the group its first real commercial and critical breakthrough. Looking back now, New Order’s sound defines the landscape of 1980s’ popular rock for many ears, its danceable rhythms and quick, clean melodies inspiring a slew of paler imitators then and a new onslaught of dance-punk bands in this past decade.