Last month, Kate Bush’s return to the stage at London’s Hammersmith Apollo for the first time in 35 years was a long-awaited event, to put it mildly. Since her first pirouette onto the music scene in 1978 when she was only 19, Bush has astonished and fascinated her listeners. She is an enigma—a Mother Nature-like figure spinning in leotards or dancing in kaftans while singing in a voice that has made her an icon.
Bush not only has a cult-like following of dedicated fans, she is a musician’s musician. Coinciding with her live show, the BBC released a documentary titled Running Up That Hill, which aired late last month. In the film, an impressive list of musicians including David Gilmore, Peter Gabriel, John Lydon, Elton John, Tricky, and Tori Amos sing Bush’s accolades and discuss how she has influenced their music. Even writers chime in: Neil Gaiman calls her voice “absolutely otherworldly“, and author Katherine Angle describes her style aptly when she observes that Bush not only stretches out her voice but also stretches “the pop form“.