I sometimes fear that the concept of the live jazz performance is slowly fading. While jazz still maintains a presence in major cities, public support for America’s truly original art form is undoubtedly not at an all-time high. With rising concert costs, it is increasingly more difficult for folks of average economic means to attend gigs. These circumstances are truly unfortunate, for nothing else in the music world rivals the vitality of a live jazz set.
Common wisdom states that a recording can never quite capture the magic that happens in a club or on a concert stage. It is curious, then, that a jazz fan’s induction into the music often comes through records. Where would the jazz world be without such masterpieces as Kind of Blue, A Love Supreme, or Maiden Voyage, all albums that originated in a studio? Capturing the energy of a live performance on record is one of today’s major artistic challenges. Given the dire economic and cultural conditions described above, it is good to know that creative and engaging live recordings are still being made. One primary example is an album called Stories and Negotiations, released in April 2010 and recorded live in Chicago’s Millennium Park in August 2008.
Mike Reed, a Chicago drummer and composer, works with an octet—drums, bass, two tenor saxes, alto sax, trumpet, and trombone—called People, Places, and Things. Reed is not only a vibrant musician, but he also presents the music of local artists he admires, as well as dedicates himself to preserving the history of Chicago’s neglected jazz musicians of the past. On his professional website, he lists some of his major musical influences, including artists as diverse as the Impressions, the Beatles, Duke Ellington, Charlie Parker, the Art Ensemble of Chicago, John Coltrane, Coleman Hawkins, and Neil Young. After just one spin through People, Places, and Things’ Stories and Negotiations, all of Reed’s influences and interests are prominently displayed.