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Thursday, Aug 13, 2009
Rashanim's work is quite clearly grounded in tradition (both religious and musical), but their invocation of other places and times are very rooted in a modern sensibility: it’s definitely jazz and it is certainly imbued with a distinctively Jewish sensibility. Above all, it rocks.

Guess what? Rashanim has recently released what will undoubtedly stand as one of the best albums of 2009 in The Gathering.


Guess what else? Rashanim has been making incredible music for the better part of this decade.


One more thing: you are not the only person who has, unfortunately, not heard (or heard of) this band. For all the right reasons, changing that should become a priority in your life. Trust me. I hope and expect to hear many more noteworthy new albums in 2009, but I sincerely doubt I will come across another effort as profoundly effective and moving as this one.


So, who is Rashanim? They are a jazz trio operating out of New York City who describe themselves on their website as a “Jewish power trio: Rashanim (’noisemakers’ in Hebrew) combines the power of rock with the spontaneity of improvisation, deep Middle Eastern grooves and mystical Jewish melodies.” Led by guitarist Jon Madof, the band also includes bassist Shanir Ezra Blumenkranz and drummer Mathias Kunzli. They record for John Zorn’s label Tzadik (http://tzadik.com/) and are categorized in its “Radical Jewish Culture” series. (Being neither Jewish nor radical, I still find this concept rather rad, and to be certain, some of the very best music in the world is being created on Zorn’s middle-finger-to-the-industry label.)


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Monday, Aug 10, 2009
Pop Heroism, One Song at a Time

“Cars” - Gary Numan
Written by Gary Numan
From The Pleasure Principle (Beggars Banquet/Atco, 1979)


According to the Wikipedia entry for Gary Numan, the famously dark-viewed British new-waver has Asperger’s Syndrome, a form of high-functioning autism. In the article, a quote attributed to Numan indicates that he feels his longtime difficulties in relating to others, the subtext of much of his work, may be directly related to this syndrome.


That gossipy tidbit may reflect the whole truth, a kernel of truth, or no truth at all, but one thing is definitely certain: no other artist in rock and roll has so thoroughly mined the subject of emotional alienation in the modern, computerized world. Numan’s brittle-broken vocal style, ice-cold synthesizer lines, herky-jerky beats, and dread-filled lyrics all contribute to a challenging and compelling aesthetic, one that is still undervalued by many music lovers but cherished by millions of dark-clad misfits worldwide.


Tagged as: gary numan, new wave
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Friday, Aug 7, 2009
The one-hit wonder that destroyed her career live on national television.

In 1988, Sinead O’Connor released The Lion and the Cobra, her critically-acclaimed debut album. Rolling Stone called her one of the women “shattering the boundaries of pop music”, but the album peaked at #36 on the Billboard 200 and none of her singles charted in the United States.


Then she recorded “Nothing Compares 2 U”, a cover of a Prince song originally released on The Family’s self-titled album, and everything changed. The video was mesmerizing, combining gothic imagery with a tight close-up on her face that gave the song a transcendent power. “Nothing” eventually spent four weeks at the top of Billboard’s Hot 100 chart and propelled the I Do Not Want What I Have Not Got album to become a double platinum, number one bestseller.


For a moment in time, Sinead was a superstar.


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Thursday, Aug 6, 2009

Before Zach Galifianakis’ outstanding breakout roles in The Hangover and Humpday respectively, this comic had a penchant for lyp syncing to saccharine little dities about love such as Anita Baker’s “You Bring Me Joy”.



After this foray, he managed to convince none other than Fiona Apple to be in her whimsical music video for “Not About Love”.


Without a doubt, these ‘inspired’ ventures bore the marks of Zach’s impending success. And it is no surprise that recently, Roger Ebert compared Zach’s Hangover performance to that of John Belushi in Animal House—Kudos indeed!


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Wednesday, Aug 5, 2009

In classic Radiohead fashion, Thom and the boys unleashed a new track on an unsuspecting blogosphere today: “Harry Patch (In Memory Of)”. The song is a tribute to Harry Patch, the British supercentenarian who was the last living World War I veteran to have fought in the trenches. Patch passed away at the ripe old age of 111 on July 25th and is set to be buried tomorrow at Wells Cathedral in Somerset.


While a fitting tribute, the track is something of an anomaly in the Radiohead catalog—it’s easily the most purely orchestral they’ve ever penned. Built atop a foundation of weepy strings (arranged by Jonny Greenwood), the song marries orchestral sweep with a pronounced undercurrent of existential dread. Structurally, it sounds a bit like a distant cousin of “You and Whose Army?”, were that song’s guitars swapped out for a string section. While the lyrics are all Patch quotes, many of the lines feel like classic Yorke constructions (“They came up from all sides,” “I’ve seen devils coming up from the ground”). Patch, who became an outspoken critic of war late in his life, apparently had a “profound effect” on Yorke, who urged listeners not “to forget the true horror of war” in a post to the deadairspace blog.


“Harry Patch (In Memory Of)” premiered on BBC Radio 4 this morning and is now streaming in its entirety on the BBC website. The track can be purchased from the W.A.S.T.E. shop for £1, with all proceeds going to UK veterans’ charity, the Royal British Legion.


Tagged as: radiohead
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