An earlier version of this post appeared on pcmunoz.com on August 16, 2005
“Home Again”—Carole King
Written by Carole King
From Tapestry (Sony, 1971)
Though “It’s Too Late” might be a little more famous, and “You’ve Got a Friend” certainly gets covered more often, I’ve always felt that the piano ballad “Home Again” is the emotional center of Carole King’s classic Tapestry album. It begins with a starkly direct confession:
Sometimes I wonder if I’m ever gonna make it home again
It’s so far and out of sight
May is shaping up to be a huge month not only for summer movies, but for music. Four bands that have released Album of the Year-quality albums are set to release new albums in the coming weeks. As a music geek, you may have looked forward to these types of “Super Tuesday” events when two or even three big releases dropped on the same day. However, the advent of streaming releases ahead of the release date has taken much of the luster out of these musical “Super Tuesdays”.
Almost a month before its May 17th release date, LCD Soundsystem is streaming This is Happening on their website. NPR is streaming the new Hold Steady and Broken Social Scene albums. And last week, The New York Times streamed The National’s High Violet.
You may know Neil Innes’ name, or perhaps some of the seemingly endless list of classic music, film and television pies he’s had his talented fingers in over the decades. But he’s by no means a celebrity, and that’s perfectly alright with him.
“There’s no hysteria, there’s no Innes-mania out there,” said Innes. “And that’s good, because I can’t stand all that. I’m not really a show business creature. I want it all. I love playing with all the toys, I love filming, I love playing with musicians, but the fame thing I just can’t hack at all.”
Innes was speaking prior to his Tuesday night one-man show at B.B. King in the heart of Times Square, nearly at the midway point of a tour which sees him mixing favorites from his work with the Bonzo Dog Doo-Dah Band, Monty Python and the Rutles with new material that shows he’s still got the innate knack for a clever turn of phrase and melody. The performance thrilled a crowd which included Glen Hansard and Markéta Irglová of Swell Season, with the former in stitches and the latter bobbing her head while wearing an Innes t-shirt throughout.
There’s something about a compilation CD that excites this audiophile. I went into my local record shop to celebrate Record Store Day and asked if there were any new ones to buy. It’s always a great opportunity to explore and perhaps discover something unnoticed on the musical landscape. Of course, other retailers are now in the game too, from Starbucks to Pottery Barn, offering up their own versions in order to extend their influence in the name of branding. These companies are certainly known for carefully crafted musical soundtracks in store (I enjoy playing ‘name that tune’ while shopping) but now they want to follow you out the door.
There is an excellent feature on American treasure (and no I don’t use that word lightly) Sonny Rollins in April 17th’s Boston Globe.
The man is going to celebrate his 80th birthday this year (in September) and is still active, creative, engaged.
There are certain artists who are so incomparable, as artists, as human beings, as role models, that enough good things cannot possibly be said. There are not many in this category, but if anyone is, Rollins must be included. Ceaselessly humble, relentlessly ambitious and seldom (if ever) satisfied with his performances, Rollins is the rarest of birds: the enlightened being who figured out early on how to live life in full, on his own terms, and has never strayed from that almost monastic path.