I’ve been admiring M83 from a cautious distance for the past few years. Though I’ve made the effort to grab all of the band’s records, and though I have seen it live once, I’ve tended to remain on the proverbial fence about the group. More often than not, M83’s Anthony Gonzalez gets it right. However, it has always seemed that for every one of those times where he got it right—for every “Teen Angst”, “Gone”, or “Graveyard Girl”—there were at least several moments when he inconceivably missed the mark. Take your pick: “Car Chase Terror”, “Midnight Souls Still Remain”, and, yes, a good chunk of “Beauties Can Die”. All of them seem to suffer from either a stupefying lack of inspiration or, perhaps paradoxically, too much inspiration. In either case, tracks like those were enough to make me a bit guarded whenever news would break about a new M83 release.
So, back a few months, when the reports about M83’s forthcoming double album went viral, I immediately expected it to be a bloated, shambling mess. After all, Gonzalez was readily admitting that he had taken his cues from the Smashing Pumpkins’ Mellon Collie and the Infinite Sadness, which is a bloated, shambling mess.
Wow. Was I ever wrong… about the M83 record Hurry Up, We’re Dreaming, that is. Mellon Collie and the Infinite Sadness is still is a bloated, shambling mess.