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by Mantas Krisciunas

27 Apr 2017


The first thing that strikes you about the way Eric Anderson talks is just how chipper he is.

The 30-year-old Seattle-based musician is about to put out his fifth record, Keepers, as Cataldo, into the world. The accompanying promotional video, titled “Market Research”, shows Anderson walking around Seattle asking strangers to put on headphones and then answer questions like: “If this song were to be in a commercial, what sort of product could it advertise well?” People balk, stand around confused, looking almost offended, before blurting something very negative. The comment section, unconventionally, is full of full-hearted support for the musician, denouncing the “haters” who dare to dismiss the new music as “the most unenjoyable EDM” they’d ever heard.

by Imran Khan

8 Dec 2016


Photo: Leda Resurreccion

He is a two-time Grammy award winner. He’s worked with legends like Smokey Robinson and has garnered praise from such musical luminaries as Public Enemy’s Chuck D. And still there are too many people who have yet to hear of him. Timothy Bloom has been diligently working the music circuit, writing and recording for the last six years or so. But he managed to turn some heads with his 2014 self-titled debut, an illustrious jewel of rousing blues and silky soul which featured his incredibly versatile singing.

by Dustin Ragucos

28 Apr 2016


When New York’s Cardiknox talk about world domination, there is no maniacal laughter involved. There’s an intense passion that wants to push a dream forward. While the indie pop scene can be like an art show where people pick favorites, Thomas Dutton and Lonnie Angle have more than enough fight in them. When they dream of being larger than life kings and queens, what they really are saying is that they are truly serious about wanting to play Madison Square Garden.

When Tristan Eaton designed the artwork for Portrait, the duo’s debut album, there began to be a sense that something was concrete. Though the band had a couple songs and music videos under their belt, the process of a debut was something that made things real. Bigger prospects would then be hoped for. PopMatters had the chance to speak to the duo on their inspirations, song process, and, ultimately, how they condensed something giant into a beautifully small package.

by Imran Khan

28 Jul 2015


If there was ever a genre called “blue devils hip-hop”, Andy Kayes may just be its choice practitioner. His blustering, electronica-squelched hip-hop is heavily saturated with moods so blue, his music grows heavier with every play. The France-based Englishman has been working the underground scenes of Lyon for some years now, splitting his time between open mics and recording studios whilst hooking up with some of the genre’s most respected names.

by Nathan Stevens

16 Mar 2015


How many pop bands are obsessed with the end of the world? Sure, Adele has the market cornered on break ups that feel like the end times, but how many groups actually focus on the apocalypse?

The funny thing about Everything Everything is that there’s always a sliver of unease running through their music. It’s all brilliantly catchy, expertly produced, and tight as a drum, but something’s just a bit off about it all. It may have taken a few listens to realize it, but the second single from their fantastic sophomore album Arc opened with the line “Four walls and a cauldron of Kalashnikoving / and our home is a trigger that I’m always pulling.” Yes, for all the pristine choruses and earworm verses, Everything Everything injects excessive violence, crushing depression and madness into the friendliest of their hits.

//Mixed media
//Blogs

Players Lose Control in ‘Tales from the Borderlands’

// Moving Pixels

"This is an interactive story in which players don’t craft the characters, we just control them.

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