How many pop bands are obsessed with the end of the world? Sure, Adele has the market cornered on break ups that feel like the end times, but how many groups actually focus on the apocalypse?
The funny thing about Everything Everything is that there’s always a sliver of unease running through their music. It’s all brilliantly catchy, expertly produced, and tight as a drum, but something’s just a bit off about it all. It may have taken a few listens to realize it, but the second single from their fantastic sophomore album Arc opened with the line “Four walls and a cauldron of Kalashnikoving / and our home is a trigger that I’m always pulling.” Yes, for all the pristine choruses and earworm verses, Everything Everything injects excessive violence, crushing depression and madness into the friendliest of their hits.