The first Little Boots (Caligula to his contemporaries) was a Roman emperor infamous for his sadism, who inspired a really bad 1980 film starring Malcolm MacDowell and Helen Mirren. It’s taken two millenia, but finally another Little Boots has come along to redeem the name. Also known as Victoria Hesketh, she creates elegant and oh-so-infectious electro-pop. Her debut album is still in the works, but meanwhile, you can download her new album, Arecibo, or check out her MySpace page.
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Everyone knows that Herbie Hancock is one of the coolest men on the planet, and has been for almost half a century. Anyone who doesn’t know this doesn’t know much; all we can offer them are condolences. Only Miles Davis, with whom Hancock worked for several crucial years (in both mens’ lives) during the mid-’60s, can possibly be invoked in any discussion of popular musicians who consistently shaped, then challenged the vanguard over a substantial period of time. These artists not only made new music but changed music on at least a handful of occasions.
Most folks know, and love, Hancock from what was likely their first association with him: the song (and more significantly, the video) “Rockit”, which was prominent in the MTV rotation circa 1983. The import of this one song is impossible to overstate: it not only spotlighted black men on the then-lilywhite music video channel, it spotlighted a jazz band. On top of that, it served as a mainstream introduction to scratching and turntable pyrotechnics. To say the earth was no longer flat, sonically speaking, after “Rockit” is only hinting at its influence.
Music journalist. Biographer. One half of the Siskel & Ebert of pop music criticism. Jim DeRogatis shares anecdotes about Lester Bangs and lets us in on some of his guilty pleasures.
This close knit band does everything their way, whether releasing EPs in place of albums and bringing their kids on the road. Timshel Matheny and her brother, Keegan DeWitt, talk about how they do it.
The Vivian Girls were the Energizer Bunnies of SXSW, playing 18 shows in four days. Yes, 18 PopMatters caught up with them after Show #16 and they talked about their beginnings, their favorite B movies, and upcoming projects.
// Sound Affects
""If Drivin' N' Cryin' sounded as good in the '80s as we do now, we could have been as big as Cinderella." -- Kevn KinneyREAD the article