Call for Essays About Any Aspect of Popular Culture, Present or Past

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Thursday, Jul 29, 2010
In an age when so many of us rip music in order to store it on various mobile devices that can be transported anywhere and everywhere, policing entrenched (sub)cultural boundaries seems a bit controversial, if not entirely outdated.

Like so many residents of Washington, DC, I am originally from elsewhere—Boston, specifically. Earlier this summer, I took the opportunity to ship up to Boston to attend the wedding of one my closest friends. The date that he chose for the ceremony, June 12th, was a significant one because it fell during the twelfth meeting of the Boston Celtics and the Los Angeles Lakers in the NBA Finals. At the time of the ceremony, the series was tied 2-2.


I suppose that I should make it clear early on in this posting that I am neither a sports analyst nor a sports historian—and I am probably not much of a sports writer, either. Nevertheless, as I look back on the glorious wedding reception that followed my friend’s ceremony, I’m startled by how relevant the “storied” Boston-LA rivalry was to one particular song that the DJ played that evening.


About halfway through the reception, just as the party was moving from stately to unruly, the entire room was propelled onto the dance floor care of the opening one-two stomp of “I’m Shipping Up to Boston” by the Dropkick Murphys. I mean that, too. The. Entire. Room. Fathers and daughters, mothers and sons, grandmothers and grandfathers all jumping, dancing, and shouting the lyrics (or at least the “wah, oh-oh’s” backing each chorus). It was probably the most intense three minutes of the night, and the dance floor will never be quite the same as a result.


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