Call for Essays About Any Aspect of Popular Culture, Present or Past

 
Bookmark and Share
Text:AAA
Tuesday, Feb 3, 2009

A trend developing during this long recession is corporate consolidation. The word “monopoly” might start rearing its ugly head if the rumored merger of Ticketmaster and Live Nation were to proceed. Live Nation is a behemoth-sized concert promoter and licensing company that has drawn press for recent exclusive deals with Madonna and Jay-Z.


Meanwhile, Ticketmaster has a near lock on U.S. ticket sales and has ventured into artist management of late. The combined heft of those two companies would be enough to snuff out smaller players and would likely bring anti-trust examination from the authorities, according to the New York Times.


Bookmark and Share
Text:AAA
Tuesday, Feb 3, 2009

It’s the latest ubiquitous Internet app. You’ve got your Facebook account and your MySpace page, but want to share even more of yourself in little bite-sized bits. You just knew that the marketers would start jumping on this and they have in a big way. Twitter is now a vital part of any company’s viral marketing effort and musicians, those early adopters that they are, are fully on the bandwagon. Gabriel Nijmeh has compiled a massive spreadsheet posted on Google Docs tracking all the Twitter sites of everyone from Coldplay to Calexico. Users can add more sites to the document. How Web 2.0.


Yeah, PopMatters is on Twitter too.


Tagged as: twitter
Bookmark and Share
Text:AAA
Tuesday, Feb 3, 2009
by PopMatters Staff

New albums out this week that are available in full on lala.com for streaming…



Tagged as: cd releases
Bookmark and Share
Text:AAA
Tuesday, Jan 27, 2009
by PopMatters Staff

New albums out this week that are available in full on lala.com for streaming…



Tagged as: cd releases, new cds
Bookmark and Share
Text:AAA
Tuesday, Jul 22, 2008

You’d think that a single 49-minute track where the songs bleed into each other, layered over one another, with some of them nothing more than snippets (as if some invisible hand is spinning a radio dial) would be the most annoying thing ever. Turns out, though, that it might be one of the best releases of Paul Westerberg’s solo career. 49:00 hit the Amazon MP3 store on July 19 (or June 49th, as Westerberg puts it) for the low, low price of 49 cents. Even if there were only one good song in the whole digital mess, it would be a bargain. But some of these songs (who knows what any of them are called, you give up after a while and just accept the sound collage flow) represent some of Westerberg’s best work since the Replacements folded (the one with the “devil raised a good boy” chorus is certainly one of his fiercest).


Thankfully free of Folker-esque bleating, 49:00 is of the same comfortable, cozy basement cloth as Stereo/Mono—heck, it might even be more ragged than even that wonderfully scruffy release. Ramshackle Faces-inspired rockers blend with sensitive ballads, jangly workouts, snippets of cover songs, Westerberg’s patented put-downs of new men in ex-flames’ lives, jokes about his cleaner lifestyle (“please don’t ask me about my liver”), and what might even be his son yelling over a vintage Westerberg rock riff. 


Listening to 49:00 is just a lot of fun (heck, it might even be Year’s Best material if its staying power holds up). It feels like being on a road trip where you’re flipping between two or three great radio stations—always missing the names of whatever you’ve just heard—that play solid song after solid song. For much of Westerberg’s solo career, it sounded like he needed a foil in the studio to kick him in the pants when his ideas weren’t up to snuff. Maybe all he really needed to do was relax. That said, it would be great if some of these songs got an “official” release as songs. Some of them are just too good to remain buried in this tasty blend of music.


Tagged as: paul westerberg
Now on PopMatters
PM Picks
Announcements

© 1999-2014 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.